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Walter Benjamin and the Actuality of Critique
The striking actuality of Walter Benjamin’s work does not rest on a supposed “usefulness” of his philosophy for current concerns, but rather on the high “legibility” to which his oeuvre has come in the present. Indeed, this legibility is a function of critique, which unearths the truth-content of a work in a constellation of reading with the present, and assures thereby that the work lives on. Following this methodological tenet, this book approaches Benjamin’s work with two foci: the actuality of his critique of violence, a central and unavoidable topic in the contemporary political-philosophical debate, and the actuality of his critique of experience, which perhaps is not as conspicuous as that of his critique of violence but constitutes, nonetheless, the bedrock upon which his whole philosophy rests.
The Politics of Debt
The Politics of Debt brings together philosophers, political scientists, and economists and sets them the task of reflecting on the political role played by debt. Focusing on the aftermath of the 2008 economic crisis, particularly in the United States and Europe, the book is split into groups. It contains six essays and five interviews that aim to fully comprehend the political consequences of the economic crisis and specifically of debt.
Toward a Linguistic and Literary Revision of Cultural Paradigms
This book draws an updated Euro-American conceptual map, starting from a limited number of strategic terms whose meanings today are judged univocal and permanent, while in fact daily use has turned them into “common sense”, depriving them of their ambiguity – an original feature of language, particularly relevant when it comes to literary use. By re-examining the proper noun for each of the selected notions, the contributors’ common intent is to shed light on their polysemous nature and linguistic fluidity, in spite of the common tendency towards simplification and homogeneity imposed by hegemonic cultural paradigms. Along this line, the book explores the great divides between identity and otherness (or common or alien) in order to recover a sense of cultural identity which is at once polymorphous and polyphonic.
The Birth of Tragedy / Unpublished Basel Writings (Winter 1869/70–Fall 1873)
During his early years in Basel, as professor of classical philology, Nietzsche develops an original understanding of ancient Greek poetry, philosophy, and culture, alongside a biting critique of contemporary German society and a call for its reform. These years see him publish his first book, The Birth of Tragedy, where tragic drama is understood as the harmonizing of Apollonian and Dionysian drives. In it, Nietzsche traces the rise of tragedy as an art form, diagnoses its demise at the hands of Socratic rationalism, and champions its revival in Wagnerian music drama, as part of a larger project of German national renewal. The unpublished texts gathered here allow us to see The Birth of Tra...
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Bibliographie der französischen Literaturwissenschaft: 2013
Die Bibliographie ist von Band 1 an lieferbar
