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Crossing Boundaries and Confounding Identity
Crossing Borders and Confounding Identity advances our understanding of the diversity of Chinese women's experiences and achievements, from the Han Dynasty to the present. With a particular emphasis on literature and the arts, the chapters offer insights into the work of current Chinese women artists as well as literary, historical, and cultural portrayals of women and women's issues. Taken together, they provide new perspectives on Chinese women, their lived experiences and fictional representations, across a broad spectrum of literature, theater, film, and the visual arts. Accessible to nonspecialists and general readers, this book will also be a valuable resource for faculty who teach Asian studies courses in history and in the humanities, as well as for students in interdisciplinary Asian studies courses.
Wanton Women in Late-Imperial Chinese Literature
The contributors to Wanton Women in Late-Imperial Chinese Literature: Models, Genres, Subversions and Traditions draw attention to ‘wanton woman’ themes across time as they were portrayed in court history (McMahon), fiction (Stevenson), drama (Lam, Wu), and songs and ballads (Ôki, Epstein, McLaren). Looking back, the essays challenge us with views of sexual transgression that are more heterogeneous than modern popular focus on Pan Jinlian would suggest. Central among the many insights to be found is that despite gender performance in Chinese history being overwhelmingly determined by the needs of patriarchal authority, men and women in the late imperial period discovered diverse ways in which to reflect on how men constantly sought their own bearings in reference to women.
Slapping the Table in Amazement
Slapping the Table in Amazement is the unabridged English translation of the famous story collection Pai’an jingqi by Ling Mengchu (1580–1644), originally published in 1628. The forty lively stories gathered here present a broad picture of traditional Chinese society and include characters from all social levels. We learn of their joys and sorrows, their views about life and death, and their visions of the underworld and the supernatural. Ling was a connoisseur of popular literature and a seminal figure in the development of Chinese literature in the vernacular, which paved the way for the late-imperial Chinese novel. Slapping the Table in Amazement includes translations of verse and prologue stories as well as marginal and interlinear comments.
Reading for the Moral
Reassesses didacticism in seventeenth-century Chinese vernacular fiction and challenges the view that the late Ming was a notoriously immoral time. Reading for the Moral offers an innovative reassessment of the nature of moral representation and exemplarity in Chinese vernacular fiction. Maria Franca Sibau focuses on two little-studied story collections published at the end of the Ming dynasty, Exemplary Words for the World (Xingshi yan, 1632) and Bell in the Still Night (Qingye zhong, c. 1645). Far from being tediously moralistic tales, these stories of loyal ministers, filial children, chaste widows, and selfless friends provide a deeper understanding of the five cardinal relationships cen...
Traditional Chinese Fiction in the English-Speaking World
This book develops interdisciplinary and comparative approaches to analyzing the cross-cultural travels of traditional Chinese fiction. It ties this genre to issues such as translation, world literature, digital humanities, book culture, and images of China. Each chapter offers a case study of the historical and cultural conditions under which traditional Chinese fiction has traveled to the English-speaking world, proposing a critical lens that can be used to explain these cross-cultural encounters. The book seeks to identify connections between traditional Chinese fiction and other cultures that create new meanings and add to the significance of reading, teaching, and studying these classical novels and stories in the English-speaking world. Scholars, students, and general readers who are interested in traditional Chinese fiction, translation studies, and comparative and world literature will find this book useful.
Routledge Handbook of Traditional Chinese Literature
This Handbook presents a comprehensive overview of 3,000 years of Chinese literature from its earliest beginnings to the end of the Qing (1644–1911), the last empire of China. With a focus on well-known authors and masterpieces in each important genre, this volume covers verses, prose, drama, and fiction arranged in the following thematic groupings: Pre-Qin and Han poetry, poetry of the Six Dynasties, poetry of the Tang, poetry of the Song, and lyrics of the Song Prose of historians, prose of philosophers, and literati prose Tragedy and romance in Yuan drama, southern plays of ethics, and chuanqi plays of the Ming and the Qing Classical-language tales, vernacular short stories, heroic romances, novels of spirits and devils, novels of manners and satire, and novels of social exposure and prostitution Featuring both introductions and in-depth analyses, this Handbook incorporates the most recent scholarly works for each entry and also facilitates future research by providing further readings. Authored by a stellar line-up of experts in the field of Chinese literature, this is an essential reference guide for all students and scholars in the fields of Chinese literature and culture.
Towers in the Void
The maverick cultural entrepreneur Li Yu survived the tumultuous Ming-Qing dynastic transition of the mid-seventeenth century through a commercially successful practice founded on intermedial experimentation. He engaged an astonishingly broad variety of cultural forms: from theatrical performance and literary production to fashion and wellness; from garden and interior design to the composition of letters and administrative documents. Drawing on his nonliterary work to reshape his writing, he translated this wide-ranging expertise into easily transmittable woodblock-printed form. Towers in the Void is a groundbreaking analysis of Li Yu’s work across these varied fields. It uses the concept...
Beyond Eroticism
Beyond Eroticism translates and analyzes over forty songs and ninety jokes from Child's Folly, a trilogy of popular songs (Hanging Twigs), folk songs (Hill Songs), and jokes (Treasury of Laughs) compiled by Feng Menglong (1574-1646), and giant in late Ming popular literature (...
Hua i Hsüeh Chih
Contains bibliographies and book reviews.
Stories to Awaken the World
The longest volume in the Sanyan trilogy, Stories to Awaken the World is presented in full here, including sexually explicit elements often omitted from Chinese editions. Shuhui Yang and Yunqin Yang have provided a rare treat for English readers: an unparalleled view of the art of traditional Chinese short fiction. As with the first two collections in the trilogy, Stories Old and New and Stories to Caution the World, their excellent renditions of the forty stories in this collection are eminently readable, accurate, and lively. They have included all of the poetry that is scattered throughout the stories, as well as Feng Menglong's interlinear and marginal comments, which convey the values shared among the Chinese cultural elite, point out what original readers of the collection were being asked to appreciate in the writer's art, and reveal Feng's moral engagement with the social problems of his day.
