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Conduct Books and the History of the Ideal Woman
The longest-running war is the battle over how women should behave. “Conduct Books and the History of the Ideal Woman” examines six centuries of advice literature, analyzing the print origins of gendered expectations that continue to inform our thinking about women’s roles and abilities. Close readings of numerous conduct manuals from Britain and America, written by men and women, explain and contextualize the legacy of sexism as represented in prescriptive writing for women from 1372 to the present. While existing period-specific studies of conduct manuals consider advice literature within the society that wrote and read them, “Conduct Books and the History of the Ideal Woman” provides the only analysis of both the volumes themselves and the larger debates taking place within their pages across the centuries. Combining textual literary analysis with a social history sensibility while remaining accessible to expert and novice, this book will help readers understand the on-going debate about the often-contradictory guidelines for female behavior.
Encountering Difference: New Perspectives on Genre, Travel and Gender
This edited collection poses crucial questions about the relationship between gender and genre in travel writing, asking how gender shapes formal and thematic approaches to the various generic forms employed to represent and recreate travel. While the question of the genre of travel writing has often been debated (is it a genre, a hybrid genre, a sub-genre of autobiography?), and recent years have been much attention to travel writing and gender, these have rarely been combined. This book sheds light on how the gendered nature of writing and reading about travel affect the genre choices and strategies of writers, as well as the way in which travel writing is received. It reconsiders traditio...
Victorian Nonfiction Prose
The Victorian Era saw a revolution in communication technology. Millions of texts emerged from a complex network of writers, editors, publishers and reviewers, to shape and be shaped by the dynamics of a rapidly industrializing society. Many of these works offer fundamental, often surprising insights into Victorian society. Why, for example, did the innocuously titled Essays and Reviews (1860) trigger public outrage? How did Eliza Lynn Linton become the first salaried woman journalist in England? What is "table-talk"? Critical approaches to Victorian prose have long focused on a few canonical writers. Recent scholarship has recognized a wide diversity of practitioners, forms and modes of dissemination. Presented in accessible A-Z format, this literary companion reinstates nonfiction as a principal vehicle of knowledge and debate in Victorian Britain.
Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929
Silent Film Adaptations of Novels by British and American Women Writers, 1903–1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost—burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowle...
The Racial Mundane
"A beautifully written and original discussion of Asian American performance and the politics of the everyday. The Racial Mundane illustrates how Asian Americans, whether historically marginalized or celebrated as model minorities, have come into the public eye, and will surely open up important new dialogues on Asian American culture and racial representation."--Josephine Lee, author of Performing Asian America: Race and Ethnicity on the Contemporary Stage
Architecture DC
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Exploring the Lives of Women, 1558–1837
Exploring the Lives of Women, 1558-1837' is an engaging and lively collection of original, thought-provoking essays. Its route from Lady Jane Greys nine-day reign to Queen Victorias accession provides ample opportunities to examine complex interactions between gender, rank, and power. Yet the books scope extends far beyond queens: its female cast includes servants, aristocrats, literary women, opera singers, actresses, fallen women, athletes and mine workers.The collection explores themes relating to female power and physical strength; infertility, motherhood, sexuality and exploitation; creativity and celebrity; marriage and female friendship. It draws upon a wide range of primary materials...
Venanzio Rauzzini and the Birth of a New Style in English Singing
Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so i...
A woman's place?
This book explores representations of the domestic in Irish women’s magazines. Published in 1960s Ireland, during a period of transformation, they served as modern manuals for navigating everyday life. Traditional themes – dating, marriage, and motherhood – dominated. But editors also introduced conflicting voices to complicate the narrative. Readers were prompted to reimagine their home life, and traditional values were carefully subverted. The domestic was shown to be a negotiable concept in the coverage of such issues as the body and reproductive rights, working wives and equal pay. Dominant societal perceptions of women were also challenged through the inclusion of those who were on the margins – widows, unmarried mothers, and never-married women. This book considers the motivations of editors, the role of readers, and the influence of advertisers in shaping complex debates about women in society in 1960s Ireland.
