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Literary Theory
  • Language: en
  • Pages: 178

Literary Theory

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

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Culture
  • Language: en
  • Pages: 189

Culture

Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann...

Ideology
  • Language: en
  • Pages: 361

Ideology

  • Type: Book
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  • Published: 2020-05-05
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  • Publisher: Verso Books

Ideology has never before been so much in evidence as a fact, and so little understood as a concept, as it is today. In this now classic work, originally written for both students and for those already familiar with the debates around the concept, the celebrated literary theorist Terry Eagleton unravels its many definitions, exploring its tortuous history from the Enlightenment to the present. A limpid account of the thought of key Marxist thinkers, as well as that of philosophers from Schopenhauer and Nietzsche to Freud and the post-structuralists, and a political reformulation of a vital set of ideas, Ideology: An Introduction is an essential text by one of our most important contemporary critics.

Marxism and Literary Criticism
  • Language: en
  • Pages: 100

Marxism and Literary Criticism

"Far and away the best short introduction to Marxist criticism (both history and problems) which I have seen."--Fredric R. Jameson "Terry Eagleton is that rare bird among literary critics--a real writer."--Colin McCabe, The Guardian

The Task of the Critic
  • Language: en
  • Pages: 369

The Task of the Critic

  • Type: Book
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  • Published: 2009-12-08
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  • Publisher: Verso Books

Terry Eagleton occupies a unique position in the English-speaking world today. He is not only a productive literary theorist, but also a novelist and playwright. He remains a committed socialist deeply hostile to the zeitgeist. Over the last forty years his public interventions have enlivened an otherwise bland and conformist culture. His pen, as many colleagues in the academy—including Harold Bloom, Gayatri Spivak and Homi Bhabha—have learned, is merciless and unsparing. As a critic Eagleton has not shied away from confronting the high priests of native conformity as highlighted by his coruscating polemic against Martin Amis on the issue of civil liberties and religion. This comprehensive volume of interviews covers both his life and the development of his thought and politics. Lively and insightful, they will appeal not only to those with an interest in Eagleton himself, but to all those interested in the evolution of radical politics, modernism, cultural theory, the history of ideas, sociology, semantic inquiry and the state of Marxist theory.

Terry Eagleton
  • Language: en
  • Pages: 179

Terry Eagleton

Terry Eagleton is the foremost Marxist cultural theorist of our time. In the first book-length study of this highly influential figure, David Alderson provides detailed discussions of Eagleton's Marxism and his engagements with postmodernism, as well as an evaluation of his interventions in Irish Studies. Each of the chapters in this important intervention in current theoretical debates offers accessible contextualization of the key issues and provides detailed analyses of Eagleton's literary criticism. Alderson shows that the complex relations between nature, culture and ideology, body, subjectivity and authority are at the heart of Eagleton's ethical and political concerns. He goes on to demonstrate that these relations inform the theorist's critical examinations of such literary works as Wuthering Heights and The Merchant of Venice, and his treatment of W.B. Yeats and Oscar Wilde.

Terry Eagleton
  • Language: en
  • Pages: 182

Terry Eagleton

Terry Eagleton is one of the most influential contemporary literary theorists and critics. His diverse body of work has been crucial to developments in cultural theory and literary critical practice in modern times, and for a generation of humanities students his writing has been a source of both provocation and enjoyment. This book undertakes a lucid and detailed analysis of Eagleton's oeuvre. It gives close attention to the full range of Eagleton's major publications, examining their arguments and implications, as well as how they have intervened in wider debates in cultural theory. It also investigates his less familiar works, such as his early writing on the Catholic left, as well as other as yet unpublished material, showing how these works can be understood alongside the more prominent areas of his thought. Through this, this book offers a cohesive overview of Eagleton's career to date, tracing the development of his theoretical positions, and an assessment of Eagleton's wider contributions to fields such as Marxist literary criticism and cultural theory. It will be essential reading for students of literary criticism, cultural theory, and intellectual history.

Tragedy
  • Language: en
  • Pages: 255

Tragedy

A new account of tragedy and its fundamental position in Western culture In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture—from literature and politics to philosophy and theater. Eagleton covers a vast array of thinkers and practitioners, including Nietzsche, Walter Benjamin, and Slavoj Žižek, as well as key figures in theater, from Sophocles and Aeschylus to Shakespeare and Ibsen. Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition. The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them. Tragedy, Eagleton demonstrates, is fundamental to human experience and culture.

Radical Sacrifice
  • Language: en
  • Pages: 215

Radical Sacrifice

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood. Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion, while drawing together a host of philosophers, theologians, and texts--from Hegel, Nietzsche, and Derrida to the Aeneid and The Wings of the Dove. Brilliant meditations on death and eros, Shakespeare and St. Paul, irony and hybridity explore the meaning of sacrifice in modernity, casting off misperceptions of barbarity to reconnect the radical idea to politics and revolution.

On Evil
  • Language: en
  • Pages: 186

On Evil

DIV In this witty, accessible study, the prominent Marxist thinker Terry Eagleton launches a surprising defense of the reality of evil, drawing on literary, theological, and psychoanalytic sources to suggest that evil, no mere medieval artifact, is a real phenomenon with palpable force in our contemporary world. In a book that ranges from St. Augustine to alcoholism, Thomas Aquinas to Thomas Mann, Shakespeare to the Holocaust, Eagleton investigates the frightful plight of those doomed souls who apparently destroy for no reason. In the process, he poses a set of intriguing questions. Is evil really a kind of nothingness? Why should it appear so glamorous and seductive? Why does goodness seem so boring? Is it really possible for human beings to delight in destruction for no reason at all? /div