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Design's Dilemma between Art and Problem-Solving
The design dilemma is based on the historic separation of design and art since the late Middle Ages. It describes the transformation of design from an art discipline to a problem-solving discipline. On the one hand, this great divergence is accompanied by myths that construct opposites of free art and unfree design, of aura and loss of aura, or of distance and touch. On the other hand, the avant-gardes have often invoked the unity of art and design, which museums or marketing also take up again today. In order to better understand design's wandering between art and non-art, its 600-year history of ideas is now traced for the first time in the fields of art and industrial history as well as the philosophy of pragmatism since about 1900. Special attention is paid to the original ideas and their overformation by technicism, capitalism, functionalism or Darwinism. They create the design dilemma that shapes the "attitude" of its actors.
The Oxford Handbook of Charles S. Peirce
The Oxford Handbook of Charles S. Peirce provides a thorough introduction into contemporary research on the work of the American polymath and philosopher Charles Sanders Peirce (1839-1914). Peirce's contributions to philosophy would inspire other American philosophers such as William James and John Dewey. Though most of the volume concentrates on philosophy--which chapters on ethics, aesthetics, phenomenology, logic, metaphysics, and pragmatism--attention is also given to his influence on areas such as semiotics, physics, biology, and mathematics.
Design, Gestaltung, Formatività
What do the work processes of a neurosurgeon and a painter have in common? Applying the notions of “Design”, “Gestaltung”, and “Formatività”, this book sheds new light on processes of formation and transformation in the material world we live in. Scholars from the fields of history, philosophy, psychology, media, and cultural studies question established processes of giving form, while artists, designers, engineers, and scientists describe their creative processes. This book provides its readers with an overview of the spectrum of “philosophies of making” and invites them to reflect on their own creative process, its possibilities, and associated responsibilities to the environment, and ultimately to express these in action. There has never been a more urgent need to develop a new relationship between matter and form. • Discussing and expanding the definitions of “Design”, “Gestaltung”, and “Formatività” • Leading international theorists write about the relationship between matter and form • A collection of new texts and first English translation of key texts
Anais
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Names of Persons
Manual for the cataloguing of personal names in all languages - presents national cataloguing practice (incl. Samples), with translation into english. References.
