Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Intersectional Encounters in the Nineteenth-Century Archive
Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.
The Myth of the Fall in Nineteenth-Century Literature
Why does the myth of the Fall continue to matter in an increasingly secularised world? Why do we continue to imagine a point where everything went wrong, and why must we imagine that things were once better than they are now? Modern political theodicies repeatedly play to the myth of the Fall as empowering human authorship, promising to 'take back control' or 'make America great again'. The myth of the Fall is so absorbed into western culture that we sometimes don't even notice it's there, let alone think about why and how it has persisted through secularisation. It is often pernicious, playing on feelings of innate supremacy and lost dominion. Linda Freedman shows that it is also creative, ...
Men at Work
For artists of the increasingly mechanized Victorian age, questions about the meaning and value of labour presented a series of urgent problems: Is work a moral obligation or a religious duty? Must labour be the preserve of men alone? Does the amount of work bestowed on a painting affect its value? Should art celebrate wholesome rural work or reveal the degradations of the industrial workplace? In this highly original book, Tim Barringer considers how artists and theorists addressed these questions and what their solutions reveal about Victorian society and culture. Based on extensive new research, Men at Work offers a compelling study of the image as a means of exploring the relationship between labour and art in Victorian Britain. Barringer arrives at a major reinterpretation of the art and culture of nineteenth-century Britain and its empire as well as new readings of such key figures as Ford Madox Brown and John Ruskin.
Brilliant Effects
Pointon examines how small-scale and valuable artefacts have figured in systems of belief and in political and social practice in Europe since the Renaissance.
The Body and the Lens
Pultz explores various issues in photography by focusing on one of its greatest subjects--the human body. He traces images of the body--male and female, child and adult, nude and clothed--from the tintypes of anonymous itinerant photographers to the great classic works of the masters of the medium to the artistic experiments of today. 125 illustrations, 32 in color.
Museums and Difference
Museums, modern concepts of culture, and ideas about difference arose together and are inextricably entwined. Relationships of difference--notably, of gender, ethnicity, nationality, and race--have become equally important concerns of scholarship in humanities and contemporary museum practice. Museums and Difference offers the perspectives of scholars and museum professionals in tandem, using the concept of difference to reexamine how museums construct themselves, their collections, and their publics. Essays explore a wide range of examples from around the world and from the 19th century to the present, including case studies of special exhibitions as well as broad surveys of institutions in Europe, the United States, and Japan.
