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This book offers fresh critical interpretation of two of the central tenets of Irish culture – migration and memory. From its starting point with the ‘New Irish’ generation of poets in the United States during the 1980s and concluding with the technological innovations of 21st-century poetry, this study spans continents, generations, genders and sexualities to reconsider the role of memory and of migration in the work of a range of contemporary Irish poets. Combining sensitive close readings and textual analysis with thorough theoretical application, it sets out the formal, thematic, socio-cultural and literary contexts of migration as an essential aspect of Irish literature. This book is essential reading for literary critics, academics, cultural commentators and students with an interest in contemporary poetry, Irish studies, diaspora studies and memory studies.
This Special Issue focuses specifically on the topic of commiseration with the “enemy” within war literature. The articles included in this Special Issue show authors and/or literary characters attempting to understand the motives, beliefs, and cultural values of those who have been defined by their nations as their enemies. This process of attempting to understand the orientation of defined “enemies” often shows that the soldier has begun a process of reflection about why he or she is part of the war experience. The texts included in this issue also show how political authorities often resort to propaganda and myth-making tactics that are meant to convince soldiers that they are fighting opponents who are evil, sub-human, etc., and are therefore their direct enemies. Literary texts that show an author and/or literary character trying to reflect against state-supported definitions of good/evil, right/wrong, and ally/enemy often present an opportunity to reevaluate the purposes of war and one’s moral responsibility during wartime.
While literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called 'Greater War'. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children's magazines and avant-garde journals in various national and cultural contexts.
The true story behind hit BBC drama THE SIXTH COMMANDMENT '[A] real-life Midsomer Murder ... it's chilling, but [David Wilson's] explanation of how a psychopath thinks is masterly' The Times Two deaths. Three doors apart. An unsuspecting community about to realise there's a killer in their midst. In October 2015, Peter Farquhar was found dead in his house in Maids Moreton, lying on the sofa next to a bottle of whisky. An inquest was made, and Peter's death was quickly ruled an accident. But after the death of another elderly neighbour, the dreadful truth began to emerge: both victims had been groomed, seduced and mentally tortured by a young man, Benjamin Field, who had used his position of ...
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