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In The Erotics of Materialism, Jessie Hock maps the intersection of poetry and natural philosophy in the early modern reception of Lucretius and his De rerum natura. Subtly revising an ancient atomist tradition that condemned poetry as frivolous, Lucretius asserted a central role for verse in the practice of natural philosophy and gave the figurative realm a powerful claim on the real by maintaining that mental and poetic images have material substance and a presence beyond the mind or page. Attending to Lucretius's own emphasis on poetry, Hock shows that early modern readers and writers were alert to the fact that Lucretian materialism entails a theory of the imagination and, ultimately, a ...
Featuring work by researchers in the fields of early modern studies, Italian studies, ecclesiastical history and historiography, this volume of essays adds to a rich corpus of literature on Renaissance and early modern historiography, bringing a unique approach to several of the problems currently facing the field. Essays fall into three categories: the tensions and challenges of writing history in Renaissance Italy; the importance of intellectual, philosophical and political contexts for the reading and writing of history in renaissance and early modern Europe; and the implications of genre for the reading and writing of history. By collecting essays that cut across a broad cross-section of the disciplines of history and historiography, the book is able to offer solutions, encourage discussion, and engage in ongoing debates that bear direct relevance for our understanding of the origins of modern historical practices. This approach also allows the contributors to engage with critical questions concerning the continued relevance of history for political and social life in the past and in the present.
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Acclaimed as Sappho reborn by the circle of humanist intellectuals centred around Groningen University in the Netherlands, the Dutch poet Titia Brongersma published her only book, The Swan of the Well, in 1686. This is the first full translation of Brongersma's extant work. An artist as versatile, eloquent, and daring as her English contemporary Aphra Behn, Brongersma dedicated more than thirty impassioned poems to her beloved, Elisabeth Joly, and experimented with pastoral verse in West Frisian. Famed, too, for her part in a pioneering excavation at the ancient monument in Borger, Brongersma celebrated this experience in strong verse. Evoking Ovid, Petrarch, Dutch theatre, and French opera,...
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