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This volume represents a significant advance of the philosophical and theological conversation surrounding Molinism. It opens by arguing that Molinism constitutes the best explanation of the scriptural data on divine sovereignty, human freedom, predestination, grace, and God’s salvific will. The alleged biblical prooftexts for open theism are better explained, according to Kirk MacGregor, by Molinism. Responding to philosophical critics of Molinism, MacGregor offers a novel solution to the well-known grounding objection and a robust critique of arguments from explanatory priority. He also presents a Molinist interpretation of branching time models as heuristic illustrations of the relationship between possibility and feasibility. Seeking to push Molinism into new territories, MacGregor furnishes a Molinist account of sacred music, according to which music plays a powerful apologetic function. Finally, regarding the nature of hell, MacGregor contends that Molinism is compatible with both eternalism and eventual universalism.
Emily Dickinson (1830-86) recasts British-Romantic themes of natural and spiritual perception for an American audience. Her poems of science and technology reflect her faith in experience. Her lyrics about natural history build on this empiricism and develop her commitment to natural religion. Her poems of revealed religion constitute her experience of faith. Thus Dickinson stands on the experiential common ground between empiricism and evangelicalism in Romantic Anglo-America. Her double perspective parallels the implicit androgyny of her nineteenth-century feminism. Her counterintuitive combination of natural models with spiritual metaphors champions immortality. The experience/faith dialectic of her Late-Romantic imagination forms the heart of her legacy.
Moses Rose is fiction based on a legend of a man who, if he existed, left the Alamo hours before the Mexican Army’s assault on March 6, 1836. This novel imagines a story of Moses and Mary Kimbro, the widow of an Alamo hero – a story of courage in conflict with survival, of anger in conflict with remorse, and of loneliness in conflict with desire on the dangerous frontier that was Texas in 1836.
Living in paradise isn’t always what it’s cracked up to be… Marty Coursin is finally living the good life. Free of the erroneous FBI charges against him, now he’s able to spend his days in comfort on Orcas Island. Sure, there’s a bit of a mystery surrounding who’s been sending him strange, anonymous messages. But who cares about that when everything is going his way, including the arrival of a beautiful, fascinating new resident? Emma Dickinson is ready for a fresh start. With her health problems under control and her divorce finalized, island life is exactly what she needs. She won’t ever fall in love again, though. Not even with her charming new friend, Marty. No matter how p...
Young adults today want authentic answers to their soul-deep questions about God. They want meaningful ways to communicate those answers to others. Most of all, they want to know that they are living a life that matters. In A Good and True Story, philosopher, apologist, and international speaker Paul Gould leads readers on an engaging journey through eleven clues that suggest Christianity is not only true but satisfies our deepest longings. This creative foray into the foundations of Christian truth explores the universe, morality, happiness, pain, beauty, and more for readers looking for culturally informed apologetics. Ideal for college-age and twentysomething readers, small group leaders, and anyone interested in the intersection of faith, philosophy, and culture, A Good and True Story reminds readers that their search for identity and purpose is a gift from a loving and purposeful God.
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