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Looks at the developments within Victorian auto/biography, asking what can be learned from the limits of male literary authority. Focuses on 2 case studies: Sir Leslie Stephens and James Anthony Goude's account of the Carlyle marriage.
In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.
This volume features new essays by eminent and emerging Woolf scholars, focusing on the aesthetics and influences of Virginia Woolf's work. Themes include eco-criticism, conceptions of intellectual women, spaces and places, and Woolf beyond Bloomsbury. The volume opens with a personal reflection by Cecil Woolf, nephew of Leonard and Virginia Woolf.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Small businesses were at the heart of the economic growth and social transformation that characterized the industrial revolution in Britain. In towns across north-west England, shops and workshops dominated the streetscape, and helped to satisfy an increasing desire for consumer goods. Yet despite their significance, we know surprisingly little about these firms and the people who ran them, for whilst those engaged in craft-based manufacturing, retailing, and allied tr...
This book explores Angela Carter's creative and critical afterlives as well as the multiple ways in which her work is amenable to being read through current critical and cultural theories. Examining topics as diverse as theatrical adaptations of Carter's novels, her 'post-human politics', and the inspiration of her work for contemporary writers, the essays in this collection demonstrate Carter's continuing relevance into the 21st century. This volume will appeal both to scholars and students of contemporary women's writing, British fiction, critical theory, reception studies, and gender studies.
Focusing on questions of intertextuality, authorship and representation, this book offers a re-examination of one of the twentieth century's most important British writers. A provocative collection both offers new readings of Carter's opus, and contributes to contemporary critical debates concerning gender, postmodernism and intertextual theory.
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The Victorians were passionate about family. While Queen Victoria's supporters argued that her intense commitment to her private life made her the more fit to mother her people, her critics charged that it distracted her from her public responsibilities. Here, Nelson focuses particularly on the conflicting and powerful images of family life that Victorians produced in their fiction and nonfiction—that is, on how the Victorians themselves conceived of family, which continues both to influence and to help explain visions of family today. Drawing upon a wide variety of 19th-century fiction and nonfiction, Nelson examines the English Victorian family both as it was imagined and as it was exper...