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Expressing the Same by the Different
This volume offers an alternative, sign-oriented analysis of the distribution of the French Indicative and Subjunctive. It rejects both government and functions, attributed to both moods, and shows that the distribution of the Indicative and the Subjunctive is motivated by their invariant meanings. The volume illustrates the close interaction between the Indicative and the Subjunctive, as linguistic signs, and signs of other grammatical systems, contextually associated with the invariant meanings of both moods. Special consideration is given to the use of the Indicative and the Subjunctive in texts of different styles and genres.This volume also deals with the diachronic disfavoring of the Subjunctive and especially of the Imperfect Subjunctive that occurred from Old French to Contemporary French. It is argued that this disfavoring was motivated by the narrowing of the invariant meaning of the Contemporary French Subjunctive. All hypotheses are supported by contextualized examples and frequency counts.
Studies in Hebrew and Aramaic Syntax
This volume is dedicated to professor Jacob Hoftijzer on the occasion of his sixty-fifth birthday as well as of his retirement from the chair of "Hebrew Language and Literature, the Israelite Antiquities and Ugaritic" at the University of Leiden. After a preface by A. van der Heide and a bibliographical list of Hoftijzer's publications, the volume contains 16 essays on syntactical questions in the field of Hebrew and Aramaic. Most of these essays deal with subjects occurring in Hoftijzer's publications. Such are the nominal sentence, the particle 'et', questions related to clause types as well as to word order and concord within sentences, the status and use of particles and verbal forms. Whereas Biblical Hebrew is discussed in most of the essays, other language forms are represented as well, esp. Mishnaic and Modern Hebrew, Imperial Aramaic, Middle Aramaic and Classical Syriac.
Textplicating Iconophones
This volume applies a sign-oriented approach to the description of articulatory and acoustic iconic phenomena in James Joyce’s Ulysses. In its hypothesis, the greater the role of sensory experience in the message of a text, the more likely it is to employ linguistic representation in articulated sounds iconically to affect sensory experience. Ulysses is presented as a work of art whose emphasis on sensual impression and sensory experience is reflected in the composition and distribution of its phonemes. Four English phonemes are examined, each in several contexts in Ulysses. A systematic association of resemblance is found between the manner and effort involved in the articulation of each ...
