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This book focuses on one of the most highly charged relationships of the Euro crisis, that between Greece and Germany, from 2009 to 2015. It explores the many ways in which Greeks and Germans represented and often insulted one another in the media, how their self-understanding shifted in the process, and how this in turn affected their respective appraisal of the EU and that which divides us or keeps us together as Europeans. These stories illustrate the book’s broader argument about mutual recognition, an idea and norm at the very heart of the European project. The book is constructed around a normative pivot. On one hand, the authors suggest that the tumultuous affair between the two peoples can be read as “mutual recognition lost” through a thousand cuts. On the other, they argue that the relationship has only bent rather than broken down, opening the potential for a renewed promise of mutual recognition and an ethos of “fair play” that may even re-source the EU as a whole. The book’s engaging story and original argument may appeal not only to experts of European politics and democracy, but also to interested or emotionally invested citizens, of whatever nationality.
When consulting key works on urban studies, the absence of Central and Eastern European towns is striking. Cities such as Vienna, Budapest, Prague, and Trieste, where such notable figures as Freud, Ferenczi, Kafka, and Joyce lived and worked, are rarely studied in a translocal framework, as if Central and Eastern Europe were still a blind spot of European modernity. This volume expands the scope of literary urban studies by focusing on Budapest and Hungarian small towns, offering in-depth analyses of the intriguing link between literature, the arts, and material culture in the 20th and 21st centuries. The case studies situate Hungarian urban culture within the global flow of ideas as they explore the period of modernism, the mid-century, and the post-1989 era in a context that moves well beyond the borders of the country.
Explores how and why European integration emerged, providing a deeper understanding of post-war Western Europe and today's European Union.
This volume offers a systematic philosophical analysis of the normative challenges facing European refugee policy, focusing on whether the response to it can be based on European values. By considering the refugee policy through the lens of European values, cosmopolitan norms and universal human rights, the contributions expose the weaknesses and limitations of existing regulations and make proposals on how to improve them. The EU is often seen as a cosmopolitan project. Europe is supposed to be a community of states that aspires to be guided by cosmopolitan norms. However, the idea of a cosmopolitan Europe has never been unanimously shared, and in recent years, it has come under increasing ...
This insightful, on-the-ground narrative looks at how radical Islam is affecting our society and how our own response is endangering the very democratic values we have hoped to spread around the world—and preserve at home. In Radical State: How Jihad Is Winning Over Democracy in the West, author Abigail R. Esman argues that in large measure, it is actually jihad which has emerged victorious over democracy, not only because of the actions of Muslim terrorists, but because of our own response to extremist Islam in the West. With the best of intentions, Western (European) countries have permitted antidemocratic, ultraconservative Islamic beliefs and traditions to flourish in their societies a...
Examines the changing attitudes of feminist movements from the 1970s onwards, especially with regards to the censorship of violence and pornography in various media. In this edition, Index steps into the fierce debate between women who do and women who don't approve of suppressive measures.
Introduction by Daniel Birnbaum. Edited by Anton Vidokle. Text by Hans-Ulrich Obrist.
The thirteen contributions to this collection all explore or exemplify the ongoing British interest in the socialist world before 1990. In autobiography, fiction, film, history, and lexicography, these chapters show how contemporary Britain is engaging with the past project to build socialism in Europe, and what this means for the present and the future of our continent. Contributions come from a wide range of disciplinary and geographical backgrounds, and the volume is further enriched by a short story especially written for this book and by an in-depth interview with the author of a recent popular history of the GDR. Together, these chapters offer a unique perspective into contemporary British writing on the ‘second world’ and the enduring fascination with the failures of futures past.
This millennium edition marks the end of the first century to be documented by camera with over one hundred unseen, altered or suppressed photographs. With themes including dictatorships, corporate lies and forbidden art, the collection demonstrates a hidden history of our time.
Brexit is a political, economic and administrative event: and it is a cultural one, too. In Brexit and Literature, Robert Eaglestone brings together a diverse range of literary scholars, writers and poets to respond to this aspect of Brexit. The discipline of ‘English’, as the very name suggests, is concerned with cultural and national identity: literary studies has always addressed ideas of nationalism and the wider political process. With the ramifications of Brexit expected to last for decades to come, Brexit and Literature offers the first academic study of its impact on and through the humanities. Including a preface from Baroness Young of Hornsey, Brexit and Literature is a bold and unapologetic volume, focusing on the immediate effects of the divisive referendum while meditating on its long-term impact.