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Non-contractual Liability Arising Out of Damage Caused to Another
In European law, "non-contractual liability arising out of damage caused to another" is one of the three main non-contractual obligations dealt with in the Draft of a Common Frame of Reference. The law of non-contractual liability arising out of damage caused to another - in the common law known as tort law or the law of torts, but in most other jurisdictions referred to as the law of delict - is the area of law which determines whether one who has suffered a damage, can on that account demand reparation - in money or in kind - from another with whom there may be no other legal connection than the causation of damage itself. Besides determining the scope and extent of responsibility for dang...
Literary Beginnings in the European Middle Ages
A ground-breaking investigation into the emergence of new written literatures in the vernacular languages of medieval Europe.
Music and Culture in the Middle Ages and Beyond
The essays in this volume offer diverse, innovative approaches to medieval music and culture.
Natural Ventilation for Infection Control in Health-care Settings
This guideline defines ventilation and then natural ventilation. It explores the design requirements for natural ventilation in the context of infection control, describing the basic principles of design, construction, operation and maintenance for an effective natural ventilation system to control infection in health-care settings.
The Carolingian Sacramentaries of Saint-Amand
The series of beautiful sacramentaries made at Saint-Amand in the later ninth century offer us unique insight into an early medieval scriptorium at work. These manuscripts contain principally the prayer texts for the celebration of the Mass, a ceremony which stood at the centre of monastic life in this period. They display how this largely neglected genre discloses creativity and initiative on the part of the monks of Saint-Amand, who re-organised and re-composed this especially versatile literature. They made their books uniquely comprehensive and full of insight into how the mass liturgy was re-made at a critical period in its development. This innovative study makes these sources accessible for the first time. In-depth study of script, decoration, and content enables a new appreciation of the context in which the deluxe Saint-Amand manuscripts were produced. It foregrounds ecclesiastical patronage, the political and intellectual dynamics at the waning of Carolingian power, and the intensive collaboration of scribes, artists, and liturgical composers, as well as the unique ways liturgical manuscripts can inform our understanding of medieval life and thought.
Variants and Variance in Classical Textual Cultures
Given the limited durability of most textual supports, texts must be reproduced if they are to survive. And given the proliferation over time of users, practices, and places which need to have access to the texts that are important for cultural institutions, this is particularly true for authoritative texts. But the reproduction of texts by traditional means – either orally or by hand – inevitably produces variations. These variations can arise because of inattention, confusion, misunderstanding, deliberate modification, physical damage, and many other factors. In general, the more a text is reproduced, the more variations are likely to occur. But although the fact of textual variation i...
Medieval Liturgical Chant and Patristic Exegesis
A sensitive and detailed investigation of the complex relationship between text and music in medieval chant. How do text and melody relate in western liturgical chant? Is the music simply an abstract vehicle for the text, or does it articulate textual structure and meaning? These questions are addressed here through a case study of the second-mode tracts, lengthy and complex solo chants for Lent, which were created in the papal choir of Rome before the mid-eighth century. These partially formulaic chants function as exegesis, with non-syntactical text divisions and emphatic musical phrases promoting certain directions of inner meditation in both performers and listeners. Dr Hornby compares the four second-mode tracts representing the core repertory to related ninth-century Frankish chants, showing that their structural and aesthetic principles are neither Frankish nor a function of their notation in the earliest extant manuscripts, but are instead a well-remembered written reflection of a long oral tradition, stemming from Rome. Dr EMMA HORNBY teaches in the Department of Music at the University of Bristol.
Chant grégorien et musique médiévale
Most of the articles included in this volume focus on the new compositions - tropes, sequences and organum - that resulted from the later development of Western chant.
