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The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
When seeking to understand the function of mythology in the pagan past and in medieval Iceland scholars are confronted with the problem of how sources from the Middle Ages can properly be used. The articles in this volume demonstrate diverse angles from which Old Norse mythological texts can be viewed. Many discuss methodological problems in dealing with the texts and draw on expertise from different fields of study such as history, philology, literary studies, and history of religions. The authors are all established experts in the field, but demonstrate new approaches to the study of Old Norse mythology, and offer insights into possible new directions for research.
The reality of the fantastic combines a 'new philological' close study of a fifteenth-century Icelandic manuscript compilation of fifteen fornaldarsogur and riddarasogur, AM 343a 4to, with an historically-based analysis of the manuscript's various contents, demonstrating how fictions that are in many respects non-realistic can be made to yield up insights into the real-world concerns and interests of a group of fifteenth-century Icelanders. Both the methodology of this study and its conclusions should interest readers from diverse fields, including literature, history and manuscript studies. (Series: The Viking Collection, Vol. 23) [Subject: Icelandic Studies, Medieval Studies, History, Literature, Literary Studies, Manuscript Studies]
This volume presents twenty essays by leading scholars of Old Norse which bring into focus the nature of learned traditions - both oral and written - in medieval Scandinavia and the interpretation and re-interpretation of them over time. Theoretical frameworks for understanding Old Norse literature is the initial topic of the collection, which then moves on to present recent work on Old Norse myth and society; current perspectives on oral traditions in performance and text; and reflections on medieval ideas about language, both vernacular and Latin. The collection is rounded off by a section on prolonged traditions - the transformation of local and imported traditions into new literary forms...
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The essays in this book are a selection of papers delivered at the symposium Creating the Medieval Saga in Bergen 2005. The essays have been revised after discussion with respondents and other members of the audience, and further refined in exchanges with the editors and the general editors of the Viking Collection since. Focus at the symposium was on the ways in which editorial practices have created out of complex manuscript witnesses (dating from the thirteenth to the nineteenth century) a body of deceptively neat narratives, the medieval Icelandic sagas.
This book is concerned with the social and gendered meanings of love in medieval Norway and Iceland. In the Viking Age, to love would most often imply a submissive social position, while being loved by a woman could elevate a man above the status of her family. Women were supposed to love upwards in the social hierarchy, but could also use their desire to negotiate the social position of men. A close reading of the skaldic poetry shows the dilemma men faced when longing for women's love and approval. These ideas of love relations shaped Norse interpretations of courtly love and marriage formation by consent in the twelfth and thirteenth centuries. However, new ideas of sexuality, gender and ...