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Aeschylean Tragedy
Aeschylus was the dramatist who made Athenian tragedy one of the world's great art-forms. In this completely revised and updated edition of his book Alan H. Sommerstein, analysing the seven extant plays of the Aeschylean corpus (one of them probably in fact the work of another author) and utilising the knowledge we have of the seventy or more whose scripts have not survived, explores Aeschylus' poetic, dramatic, theatrical and musical techniques, his social, political and religious ideas, and the significance of his drama for our own day. Special attention is paid to the "Oresteia" trilogy, and the other surviving plays are viewed against the background of the four-play productions of which they formed part. There are chapters on Aeschylus' theatre, on his satyr-dramas, and on his dramatisations of Homer's "Iliad" and "Odyssey", and a detailed chapter-by-chapter guide to further reading. No knowledge of Greek is assumed, and all texts are quoted in translation.
Playing Around Aristophanes
Alan Sommerstein joined the staff of the University of Nottingham in 1974 and remains there to this day. During this period he has produced a stream of distinguished books, editions and articles on many aspects of Greek drama and society. Among all these, one work stands out: the complete edition of the plays of Aristophanes in twelve volumes (one for each play, followed by an index volume), of which the first appeared in 1980 and the last early in 2003. This edition has been universally admired for the vividness and accuracy of the translation, the lucidity and accessibility of the exposition, and the high quality of the scholarship. This book comes out of a colloquium held to celebrate this remarkable achievement.
Menander: Epitrepontes
This book introduces readers who may have no previous knowledge of Menander's comedies to Epitrepontes (The Arbitration), arguably the most exquisitely crafted of his better-preserved plays. It explains what we know about the play, how we know it, and how far we can tentatively fill in the gaps in our knowledge. Sommerstein analyses the nature of the dramatic genre (Athenian New Comedy) to which Epitrepontes belongs. He assesses the plot and the characters, every one of whom makes an essential contribution to the uplifting outcome, and the social and ethical assumptions that dramatist and audience shared. As well as looking at the influences of earlier drama and of contemporary philosophical and popular thought, he considers the afterlife of Menandrian comedy in general and of Epitrepontes in particular, both in antiquity and in modern times, but also in the long period in between, when Menander was the great dramatist whose plays were thought to have been irrevocably lost.
Sophocles
Following the volume of six fragmentary Sophoclean tragedies published in this series in 2006, Alan Sommerstein and Thomas Talboy now present seven more. Three of these dramatise successive phases of the story of how a jealous and treacherous Odysseus brought about the judicial murder of the culture-hero Palamedes and of the terrible revenge taken by Palamedes' father Nauplius. The volume also includes dramas about the first day's fighting of the Trojan War ( The Shepherds ), about the foundation of the mystery-cult of Eleusis and the birth of agriculture ( Triptolemus , one of Sophocles' earliest plays), about a young woman who contrived the death of her father in order to save her beloved ...
Homosexuality in Greece and Rome
Important primary texts on homosexuality in ancient Greece and Rome are translated into modern, explicit English and collected together in this comprehensive sourcebook. Covering an extensive period, the volume includes writings by Plato, Sappho Aeschines, Catullus and Juvenal.
Theatre and Metatheatre
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings...
A Handbook to the Reception of Greek Drama
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
Ancient Greek Comedy
This volume, in honour of Angus M. Bowie, collects seventeen original essays on Greek comedy. Its contributors treat questions of origin, genre and artistic expression, interpret individual plays from different angles (literary, historical, performative) and cover aspects of reception from antiquity to the 20th century. Topics that have not received much attention so far, such as the prehistory of Doric comedy or music in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception. Within each section the chapters are as far as possible arranged in chronological order, according to historical time or to the (putative) dat...
