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Consensual Fictions
In Consensual Fictions, Wendy S. Jones focuses on the English novel of the period to explore the relationship between married love, classic liberal thought, and novelistic form.
Families of the Heart
In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.
Revising the Eighteenth-Century Novel
Recovers and analyzes novel manuscripts and post-publication revisions to construct a new narrative about eighteenth-century authorship.
Words, Books, Images, and the Long Eighteenth Century
The essays collected in this volume engage in a conversation among lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick’s scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the “best” authors, and, more recently, on Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and...
From Eternity to Time
This study examines different conceptions of time in Daniel Defoe's (1660-1731) novels. The temporal aspects of the novels are surveyed, taking into account the historical situation of the novel as a genre and contemporary conceptions of time. The modernisation process of the Western world serves as a wider context of the study, as present research indicates that Defoe's novels exemplify a multilayered shift from 'pre-modern' Western conceptions of time to those of the modern age. The author also explores gendered time and economic and cultural values of time in Defoe's novels. The book contributes a fresh analysis of Defoe's novels and demonstrates the crucial relation between historical-cultural conceptions of time and the historically changing genre of the novel.
Britain and Italy in the Long Eighteenth Century
The essays in this collection range across literature, aesthetics, music and art, and explore such themes as the dynamics of change in eighteenth-century aesthetics; time, modernity and the picturesque; the function of graphic ornaments in eighteenth-century texts; imaginary voyages as a literary genre; the genesis of childrenâ (TM)s literature; the Italian opera and musical theory in Frances Burneyâ (TM)s novels; Italian and British art theories; and patterns of cultural transfers and of book circulation between Britain and Italy in the eighteenth century. Collectively they epitomise the concerns and approaches of scholars working on the long eighteenth century at this challenging and exc...
Studies in Eighteenth-century Culture
This volume of Studies in Eighteenth Century Culture offers a cluster of essays on literature and medicine, Allegories of Healing, that consider at length the different ways the physician-patient relationship was configured in France and Great Britain. Other essays discuss the unspoken politics of ocular observation, family relations and family values in Defoe and Frances Burney, ideals of polite marriage in France, portraiture as a record of the career of actress Sarah Siddons, period contexts for the works of dramatist Joanna Baillie and novelist Maria Edgeworth, and the phenomenology of rereading Richardson. The volume concludes with a reconsideration by Robert Wokler and Bruce Mazlish of Ernst Cassirer's study, The Philosophy of the Enlightenment.
