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A Tale of Two Stūpas
In A Tale of Two Stupas, Albert Welter tells the story of Hangzhou Buddhism through the conceptions, erections, and resurrections of Yongming Stupa, dedicated to the memory of one of Hangzhou's leading Buddhist figures, and Leifeng Pagoda, built to house stupa relics of the historical Buddha.
Modern Chinese Religion I (2 vols.)
A follow-up to Early Chinese Religion (Brill, 2009-10), Modern Chinese Religion focuses on the third period of paradigm shift in Chinese cultural and religious history, from the Song to the Yuan (960-1368 AD). As in the earlier periods, political division gave urgency to the invention of new models that would then remain dominant for six centuries. Defining religion as “value systems in practice”, this multi-disciplinary work shows the processes of rationalization and interiorization at work in the rituals, self-cultivation practices, thought, and iconography of elite forms of Buddhism, Daoism, and Confucianism, as well as in medicine. At the same time, lay Buddhism, Daoist exorcism, and medium-based local religion contributed each in its own way to the creation of modern popular religion. With contributions by Juhn Ahn, Bai Bin, Chen Shuguo, Patricia Ebrey, Michael Fuller, Mark Halperin, Susan Huang, Dieter Kuhn, Nap-yin Lau, Fu-shih Lin, Pierre Marsone, Matsumoto Kôichi, Joseph McDermott, Tracy Miller, Julia Murray, Ong Chang Woei, Fabien Simonis, Dan Stevenson, Curie Virag, Michael Walsh, Linda Walton, Yokote Yutaka, Zhang Zong
Language and the Making of Modern India
Explores the ways linguistic nationalism has enabled and deepened the reach of All-India nationalism. This title is also available as Open Access.
Records from the Ancestral Mirror
The Zongjing Lu (Records from the Ancestral Mirror) by Chan master Yongming Yanshou (904-976 CE) is an unusual Chan work, for it embraces the entire field of Chinese Buddhism, including Chan. It cites a dizzying array of sources, introducing readers to a comprehensive understanding of the Buddha-dharma. The work is in one hundred fascicles; the present translation is of fascicles 2, 3, & 4. RANDOLPH S. WHITFIELD studied Chinese language and literature at Leiden University. He has translated various Chan works, including the Jingde Chuandeng Lu (Records of the Transmission of the Lamp) in 8 volumes.
Zen Master Tales
A lively collection of folk tales and Buddhist teaching stories from four noted premodern Japanese Zen masters: Taigu Sôchiku (1584–1669), Sengai Gibon (1750-1831), Hakuin Ekaku (1686-1769), and Taigu Ryôkan (1758-1831). Zen Master Tales collects never before translated stories of four prominent Zen masters from the Edo period of Japanese history (1603-1868). Drawn from an era that saw the “democratization” of Japanese Zen, these stories paint a picture of robust, funny, and poignant engagement between Zen luminaries and the emergent chоnin or “townsperson” culture of early modern Japan. Here we find Zen monks engaging with samurai, merchants, housewives, entertainers, and farme...
Patriarchs on Paper
The truth of Chan Buddhism--better known as "Zen"--is regularly said to be beyond language, and yet Chan authors--medieval and modern--produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly ...
Zhipan’s Account of the History of Buddhism in China
The Fozu tongji by Zhipan (ca. 1220-1275) is a key text of Chinese Buddhist historiography. The core of the work is formed by the “Fayun tongsai zhi,” an annalistic history of Buddhism in China, which extends through Fozu tongji, juan 34-48. Thomas Jülch now presents a translation of the “Fayun tongsai zhi” in three volumes. This second volume covers the annalistic display from the Sui dynasty to the end of the Wudai period. Offering elaborate annotations, Jülch succeeds in clarifying the backgrounds to the historiographic contents, which Zhipan presents in highly essentialized style. Jülch identifies the sources for the historical traditions Zhipan refers to, and when accounts presented by Zhipan are inaccurate or imprecise, he points out how the relevant matter is depicted in the sources Zhipan relies on. Consistently employing these means in reliable style Jülch defines a new standard for translations of medieval Chinese historiographic texts.
The Future of China's Past
The Future of China's Past examines how China's traditional culture is being reinvented and manipulated for political purposes. Like no time before in its recent history, and certainly at no time in the history of the People's Republic, China is being shaped in terms of its past, but which past—Confucianism, Legalism, Daoism, Buddhism—or combination of pasts is being held up as the model? Given its growing economic, political, and cultural significance, it is incumbent upon us to take China's rise seriously, yet perspectives involving modern and contemporary geopolitical and intrastate dynamics are insufficient, on their own, for understanding China's rise, and the same holds true for economic analyses, however pertinent. Instead, this book looks at current engagements with models of China's past, introducing the four traditional lenses of Chinese thought and reflecting on their potential relevance for China's—and the world's—future.
