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The Routledge Handbook of Jack the Ripper Studies
In offering a holistic analysis of the vast array of evidence and literature pertaining to the Whitechapel Murders committed in London’s East End in the Autumn of 1888, this volume offers a multi-disciplinary and multi-dimensional consideration of the entirety of the most infamous of crimes and their legacy for the first time. Interest in the crimes of Jack the Ripper has barely dissipated over the numerous decades since their perpetration but has grown significantly in recent years. The Routledge Handbook of Jack the Ripper Studies provides a solid reference point for understanding and evaluating the significance of the murders across a range of different perspectives, both past and prese...
Steampunk London
Tracing the genre through fiction, visual art, film and videogames from the 1980s to the present, this book offers a comprehensive exploration of the intersection between neo-Victorianism, urban spaces and Steampunk. Characterised by its interplay between past and present and its anachronistic retro-speculation, Neo-Victorian-infused Steampunk remixes modern collective memory to produce a re-imagined vision of Victorian London. Investigating how Steampunk's re-calibrated Londons both source from and subvert Victorian discourse about the city, Steampunk London offers a deeper understanding of how a popular cultural memory of the Victorian past is shaped and transmitted in light of present-day...
Holmes and the Ripper
In versus narratives Sherlock Holmes is fighting or otherwise engaging Jack the Ripper. These texts pit the archetypal detective against the archetypal serial killer using established formulas as well as new narrative and generic features, a combination that results in their mass appeal among authors and audiences alike. The list of primary sources includes 120 titles – novels, short stories, plays, fanfiction, ‘Grand Game’ studies, movies, TV shows, video and board games – which are treated as a dialogic network of transfictional and transmedial texts. This study unpacks the versus corpus in its media dispersal by analysing Sherlock Holmes and Jack the Ripper as serial figures and culture-texts emphasising the increasing palimpsestousness of the former and the multidirectional polymorphousness of the latter, and tracing the overlapping Doylean culture-text. It also addresses the way character constellations are represented, negotiated, and fed back into the versus network, contextualising them within the coalescence of fact and fiction, Gothic and crime fiction frames, cultural memory, neo-Victorianism, and biofiction.
The South Wind
From the bestselling author of The North Wind and The West Wind comes a sizzling fantasy romance novel inspired by Sleeping Beauty and the Greek myth of Theseus and the Minotaur Princess Sarai of Ammara has less than three months to live before death claims her. Cursed as a child to die on her twenty-fifth nameday, she will do whatever it takes to secure her realm’s future, including an arranged marriage to Prince Balior, a handsome young noble from a neighbouring kingdom. But another man vies for her attention as well: Notus, the South Wind, god of the desert breeze, and Sarai’s ex-lover. Sarai is determined to stay away from the god who betrayed her and honour her father’s plan. But ...
The West Wind
Brielle of Thornbrook has dedicated her life to the abbey. She spends her days forging iron and her evenings studying the Text, all in preparation of becoming an acolyte. Twenty-one years on this earth and she has never touched a man. And she never will. But when she finds an injured stranger in the forest, Brielle can't resist the urge to help him. The encounter leads her to the realm of Under, where the air breathes rot, and the fair folk dance and whisper. Where she discovers that the man she helped is actually a god: Zephyrus, the West Wind, Bringer of Spring.
The East Wind
Rapunzel meets the myth of Psyche and Cupid in a stand-alone fantasy romance tale of love, survival and healing, as a mortal woman and a god unite to overcome deadly trials—and their own tortured pasts—in the climactic final installment of the Four Winds series. Min of Marles is a skilled apprentice, assisting the town's apothecarist in brewing potions, tonics, and deadly poisons. High in the estate tower where she works, a powerful immortal is kept chained, tortured daily for information. His screams haunt her waking and dreaming hours. A god, she learns. The East Wind, Eurus, who commands the sea-born storms. A hasty attempt to free him leads to Min’s own capture and forced employmen...
Black Beauty
A horse in nineteenth-century England recounts his experiences with both good and bad masters. Illustrated notes throughout the text explain the historical background of the story.
The Quest for Home in Toni Morrison’s "Beloved"
Seminar paper from the year 2010 in the subject American Studies - Literature, grade: 1,7, University of Constance, language: English, abstract: This paper will attempt to analyze the concepts of home in Toni Morrison’s novel "Beloved". Sites of home in "Beloved" are seldomly what we expect them to be, because the author wants us to question our understanding of home and the processes that constitute it. So far remarkably few critics focused on home in Morrison’s novel that is based on the historical person Margaret Garner. Among those who did are, most notably, Danielle Russell and Justine Tally. In order to consider this, an examination of the concept of home in Gothic as well as postcolonial literature seems helpful. Note on the restrictions of this essay may seem necessary, as only a short and unfortunately survey of the concepts of home in Gothic and postcolonial fiction can be given. Nonetheless, effort was given to mention the major developments of home and give possible motivations for employing it. The paper will then continue with a closer examination of the sites of home in "Beloved" mentioned before.
The Body in the Work of Simone de Beauvoir
With Salammbo, Flaubert turned to the old Orient and Carthage's civil war with its mecenaries to relive his travels in the Levant and indulge in erotic and heroic reveries. Yet his alluring heroine gives way to political and military matter
