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The Cyprus Frenzy of 1878 and the British Press
In June of 1878, the British Empire acquired the small Mediterranean island of Cyprus, after a secret agreement with the Ottoman Empire. The occupation of Cyprus was officially announced by the British government about a month later and what followed was an unprecedented mania with the island, which manifested itself through the publication of dozens of books and articles, the composition of poems, novels, and music pieces, the staging of operas and ballets, the appearance of dozens of advertisements in newspapers, the dispatch of special correspondents to the island, the announcement of forthcoming tours, etc. This book examines the “Cyprus Frenzy” of 1878 and the way it was expressed i...
The Cambridge History of English Literature
The Cambridge History of English Literature offers a comprehensive overview of English literature from its earliest beginnings to the romantic period. Edited by Adolphus William Ward and Alfred Rayney Waller, this authoritative text brings together the work of some of the most distinguished literary scholars of the early twentieth century. This edition includes detailed analyses of the major authors, works, and genres of English literature, making it an essential resource for students and scholars alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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The Text of Handel ́s Messiah
Is Handel's Messiah anti-Judaistic? The question has been coursing through the academic world for some time now. This book shows the oratorio's text to be more often than not in agreement with traditional Jewish translation and commentary. Moreover, its divergences from ascribed King-James-Version and Book-of-Common-Prayer texts, in preference for those sourced by the Codex Alexandrinus and Peshitta, evidence not only librettist Charles Jennens' philological prowess, but also the oratorio itself as example of eighteenth-century English scholarship at its very best. [Der Text von Händels Messiah. Eine Zeitkapsel der frühneuzeitlichen Textkritik] Ist Händels Messiah anti-judaistisch? Die Fr...
Thomas Holcroft’s Revolutionary Drama
A key figure in British literary circles following the French Revolution, novelist and playwright Thomas Holcroft promoted ideas of reform and equality informed by the philosophy of his close friend William Godwin. Arrested for treason in 1794 and released without trial, Holcroft was notorious in his own time, but today appears mainly as a supporting character in studies of 1790s literary activism. Thomas Holcroft’s Revolutionary Drama authoritatively reintroduces and reestablishes this central figure of the revolutionary decade by examining his life, plays, memoirs, and personal correspondence. In engaging with theatrical censorship, apostacy, and the response of audiences and critics to radical drama, this thoughtful study also demonstrates how theater functions in times of political repression. Despite his struggles, Holcroft also had major successes: this book examines his surprisingly robust afterlife, as his plays, especially The Road to Ruin, were repeatedly revived worldwide in the nineteenth century.
New Perspectives on Tudor Cultures
This volume presents a selection of papers from the 6th International Conference of the Tudor Symposium, held at the University of Sheffield in 2009. It brings together new explorations of Tudor literature from scholars based all over Europe: France, Greece, Hungary, Ireland, Norway, and the United Kingdom. The papers cover the long mid-Tudor period, from Skelton and more to the young Shakespeare, but with a central emphasis on the middle decades of the sixteenth century. Topics range widely from philosophy and social commentary to more traditionally literary kinds of writing, such as lyric and tragedy (both dramatic and non-dramatic). The volume as a whole offers an attractively kaleidoscopic image of the variety of new work being carried out in the area in the new millennium.
