Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Does It Really Mean That? Interpreting the Literary Ambiguous
However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity—which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or is, where it can be found, to what purposes it can be put, including questions of whether it is a positive or negative factor. But this, of course, is not a new phenomenon. Writers have always depended on equivocation, multiplicity of meaning, uncertainty of meaning—deliberate mystification one might say. Language itself is the base of ambiguity not only in literature but in everyday public discourse. Thus the papers in the volume should appeal not only to scholars working in the fields of modern or postmodern literature, but those who see the importance of ambiguity in the earlier texts, and perhaps their influences in later writing. Finally the essays included here not only provide specific analyses and proposed solutions for specific works or authors they also open the reader to other appearances of ambiguity, often not simply in literature or critical theory, but in the kinds of social issues the literary works deals with.
Strategies of Ambiguity in Ancient Literature
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative...
Embodying Ambiguity
Embodying Ambiguity traces the shifts in the representation of the androgyny myth in the literature and aesthetics of the late eighteenth century and nineteenth century. Catriona MacLeod examines important pedagogic implications of the androgyny ideal for Classical, Romantic, and Realist texts, beginning with Aristophane's narrative of the origin of human sexuality in Plato's Symposium and including the hermaphroditic androgyny proposed by Winckelmann and the heterosexual complementary model found in Schiller and Schlegel.
Seven Types Of Ambiguity
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A History of Ambiguity
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been perceived as a milestone in literary criticism—far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood. A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers ...
Literature and Racial Ambiguity
Two Huron U. College English professors introduce 14 essays reading literary explorations of how the "hybridity" (per black- white Scottish writer Jackie Kay) of mixed race permutations subvert established racial categories and racist assumptions. Readings include: Nella Larsen's Passing, Amy Tan's The Joy Luck Club, Mourning Dove's Cogewea: The Half-Blood, Toni Morrison's Paradise, and Adib Kalim's Seasonal Adjustments. Lacks an index. Annotation copyrighted by Book News, Inc., Portland, OR
Quasi Labor Intus
For forty years, American priest and friar Reginald Foster, O.C.D., worked in the Latin Letters office of the Roman Curia's Secretary of State in Vatican City. As Latinist of four popes, he soon emerged as an internationally recognized authority on the Latin language-some have said, the internationally recognized authority, consulted by scholars, priests, and laymen worldwide. In 1986, he began teaching an annual summer Latin course that attracted advanced students and professors from around the globe. This volume gathers contributions from some of his many students in honor of his enduring influence and achievements. Its chapters explore a wide range of linguistic and literary evidence from antiquity to the present day in a variety of theoretical perspectives. If the motivation for putting together this collection has been to reflect (and reflect upon) Foster's influences on Latin scholarship and pedagogy, its title alludes-via the medieval folk etymology of the word labyrinthus ("quasi labor intus")-to its theme: ambiguity in Latin literature.
Zones of Focused Ambiguity in Siri Hustvedt’s Works
This collection comprises essays from various interdisciplinary perspectives – e.g. literary scholarship, intermediality, art history, psychoanalysis, philosophy, and medicine – to analyze and interpret the fictional and non-fictional works by Siri Hustvedt, an author whose reputation and public presence have been growing steadily in the 21st century and who is recognized as one of the most widely read and appreciated contemporary American writers. In her significance and stature as a public intellectual, she is not merely an American writer but a transnational, cosmopolitan author, who develops new forms not only of literary narrative but of interdisciplinary thought and writing, bringi...
Diz vliegende bîspel
The volume explores the theme of ambiguity in medieval and early modern literature in essays honoring the life and work of Arthur Groos, Avalon Foundation Professor in the Humanities at Cornell University, USA, emeritus. The famous expression diz vliegende bîspel from Wolfram von Eschenbach's Parzival is its watchword. In the poem the black and white plumage of the magpie represents the characteristic complexity, ambiguity, and ambivalence of the romance. Removed from its historical context the expression is also a figure of Arthur Groos's wide-ranging intellectual flight. In addition to his work on medieval German verse narrative, he has made important contributions to courtly love poetry, medieval and early modern scientific literature, early modern German literature in general, and especially to opera.
