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How was bestiality perceived in the Middle Ages? The answer is far from simple. Depending on the context, it might be a kingmaking ritual, a boys’ game, a pact with the devil, a peccadillo or a capital offense. As dangerous as it could be to be suspected by one’s own neighbors of committing bestiality, medieval literature and art are full of often exhilarating erotic interspecies encounters. In the end, this volume suggests that there is a zoophilic streak in all humans – the medievals as well as ourselves. Contributors are Crystal Beamer, Bailey Flannery, Katherine Leach, Marian E. Polhill, Anna Russakoff, Joyce E. Salisbury, Andrea Schutz, Jacqueline A. Stuhmiller, Larissa Tracy, and Tess Wingard.
Discusses contemporary medievalism in studies ranging from Brazil to West Africa, from Manila to New York. Across the world, revivals of medieval practices, images, and tales flourish as never before. The essays collected here, informed by approaches from Global Studies and the critical discourse on the concept of a "Global Middle Ages", explore the many facets of contemporary medievalism: post-colonial responses to the enforced dissemination of Western medievalisms, attempts to retrieve pre-modern cultural traditions that were interrupted by colonialism, the tentative forging of a global "medieval" imaginary from the world's repository of magical tales and figures, and the deployment across...
The volume explores the theme of ambiguity in medieval and early modern literature in essays honoring the life and work of Arthur Groos, Avalon Foundation Professor in the Humanities at Cornell University, USA, emeritus. The famous expression diz vliegende bîspel from Wolfram von Eschenbach's Parzival is its watchword. In the poem the black and white plumage of the magpie represents the characteristic complexity, ambiguity, and ambivalence of the romance. Removed from its historical context the expression is also a figure of Arthur Groos's wide-ranging intellectual flight. In addition to his work on medieval German verse narrative, he has made important contributions to courtly love poetry, medieval and early modern scientific literature, early modern German literature in general, and especially to opera.
This volume features the complete text of the material presented at the Twentieth Annual Conference of the Cognitive Science Society. As in previous years, the symposium included an interesting mixture of papers on many topics from researchers with diverse backgrounds and different goals, presenting a multifaceted view of cognitive science. This volume contains papers, posters, and summaries of symposia presented at the leading conference that brings cognitive scientists together to discuss issues of theoretical and applied concern. Submitted presentations are represented in these proceedings as "long papers" (those presented as spoken presentations and "full posters" at the conference) and "short papers" (those presented as "abstract posters" by members of the Cognitive Science Society).
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English description: Before the middle of the fifteenth century the Munich physician and author wrote an herbal that describes the medical efficacy of more than 170 drugs drawn from plants and animals. With its large format pictorial representations of animals and plants, it is the only completely illustrated herbal from the incunable period in the German language. The text is presented here for the first time in a critical edition. Information about the author, the transmission and textual history, as well as a glossary complement the edition. Furthermore, a representative selection of 64 full-page color reproductions is appended from the lead manuscript used as the basis for the text. Germ...