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Ana M. López: Essays
Brings together Ana M. López's field-defining essays on Latin American film and media in one indispensable volume.
Ana M. López
Brings together Ana M. López's field-defining essays on Latin American film and media in one indispensable volume. Ana M. López is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and genres-from early cinema to the present; from Brazil, Cuba, and Mexico to diasporic and Latinx cinemas in the United States; from documentary to melodrama to politically militant film. López's groundbreaking essays have transformed Latin American film studies, opening up new approaches, theoretical frameworks, and lines of investigation while also extending beyond cinema to analyze its connections with tele...
Film and Nationalism
This text examines the ways in which conema has been considered an arena of conflict and interaction between nations and nationhood.
Women Filmmakers
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital
International Film Musical
A unique study of the film musical, a global cinema tradition.
Latin American Melodrama
The first book to consider cinematic and televisual melodrama in a broad Latin American and U.S. Latino context
The SAGE Handbook of Film Studies
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Current Law Index
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Passionate Extremes
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