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On Faith, Works, Eternity and the Creatures We Are
In this volume André Barbera considers the question of faith, how an individual may act faithfully, and what good (if any) is faithful action. Drawing on the letters of the Apostle Paul and the work of philosophical thinkers such as Søren Kierkegaard, Barbera explores numerous aspects of faithful living, from religion, original sin, and tests of faith, to the power of prayer, and even the concept of atheism. In particular, Barbera formulates a postulate drawn from Augustine's Confessions: God is not bound by time. The person of faith, however, is enslaved by time. Augustine's expression “faith seeking understanding” stakes the claim,” but the mode of faith and the end of faith are inherently contradictory. The faithful person waits in pursuit, choking. Works, the anxiety of faith, ensue. Barbera concludes that the person of faith engages in endless trial, struggle, and contradiction, but in so doing attempts to produce a meaningful life.
Music, Myth and Story in Medieval and Early Modern Culture
The complex relationship between myths and music is here investigated. Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium...
Ptolemy Harmonics
Ptolemy's comprehensive treatises on astronomy and geography were influential for nearly two millennia. Equally influential was his treatise on harmonics, the ancient science which combined and brought to completion the study of philosophy and science. This volume offers a comprehensive English translation and commentary of Ptolemy's Harmonics. The treatise begins with Ptolemy's study of pitches and intervals, for which he extracts both an idealized musical scale and a new acoustical tool. After discussing modulation, he expands his horizons by applying musical intervals to the human soul and celestial bodies, ultimately describing a cosmic harmony. The English translation faithfully reproduces Ptolemy's style and includes all the charts surviving in the manuscript tradition. The commentary offers a full exegesis of the text, loci paralleli, and citations of modern scholarly sources.
The Gershwin Style
Even as orchestras, performers, enthusiasts, and critics across the nation--and across the globe--celebrate the one-hundredth anniversary of his birth, George Gershwin (1898-1937) remains one of America's most popular yet least appreciated composers. True, he is loved and revered for his wonderful popular songs, a few instrumental works, and the majestic opera Porgy and Bess. But most of his music is virtually unknown; hundreds of compositions, Broadway show tunes, and even several large and important instrumental works are gradually disappearing with the generations that first heard them. The Gershwin Style: New Looks at the Music of George Gershwin is a bold new work that stands in opposit...
Apollo's Lyre
Ancient Greek music and music theory has fascinated scholars for centuries not only because of its intrinsic interest as a part of ancient Greek culture but also because the Greeks? grand concept of music has continued to stimulate musical imaginations to the present day. Unlike earlier treatments of the subject, Apollo?s Lyre is aimedøprincipally at the reader interested in the musical typologies, the musical instruments, and especially the historical development of music theory and its transmission through the Middle Ages. The basic method and scope of the study are set out in a preliminary chapter, followed by two chapters concentrating on the role of music in Greek society, musical typo...
Music's Intellectual History
Personalities: music scholars. Personalities: composers. National studies. Encyclopedias. Periodicals. Historiography & its directions
Music Article Guide
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Carmina Philosophiae
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