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From Happy Homemaker to Desperate Housewives
‘From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television’ is a comprehensive and accessible introduction to key debates concerning the representations of motherhood, motherwork and the maternal role in contemporary television programming. The volume looks at the construction of motherhood in the ostensibly female genre of soap opera; the mother as housewife in the domestic situation comedy; deviant, desiring and delinquent motherwork in the teen drama; the single working mother in the contemporary dramedy; the fragile and failing mother of reality parenting television; the serene and selfless celebrity motherhood profile; and the new mother in reality pregnancy and childbirth television. ‘Motherhood and Popular Television’ examines the depiction of motherhood in this wide range of popular television genres in order to illustrate how the maternal role is being constructed, circulated and interrogated in contemporary factual and fictional programming, paying particular attention to the ways in which such images can be seen to challenge or conform to the ideal image of the ‘good’ mother that dominates the contemporary cultural landscape.
Mad Men, Women, and Children
As rich and complex as The Sopranos or The Wire, Mad Men demands a critical look at its narrative and characters as representative of both the period it depicts and of our memories and assumptions of the period. Mad Men, Women, and Children: Essays on Gender and Generation, edited by Heather Marcovitch and Nancy Batty, focuses on women and children, two groups that are not only identified together in this period (women characters in this show are often treated as coddled children and the children look to their parents as models of adult behaviors) but are also two groups who are beginning to gain political and social rights in this period. The connections between the women of Mad Men, early ...
Women in Israel
There are diverse and complex problems faced by women in Israel. This book explores women's roles in teachers' labor conflicts, threatened motherhood within the welfare system, bureaucratic encounters faced by Ethiopian immigrant women, the lack of political representation amongst women, feminist activism against the sex industry, and gender power dynamics in gyms. It is a comprehensive feminist examination of women's diverse experiences in Israeli society over four decades and analyzes society during this time. As an ethnography, the book emphasizes a commitment to social justice and equality, and challenges prevailing social and gender research approaches.
The Balance Gap
In recent decades, laws and workplace policies have emerged that seek to address the "balance" between work and family. Millions of women in the U.S. take some time off when they give birth or adopt a child, making use of "family-friendly" laws and policies in order to spend time recuperating and to initiate a bond with their children. The Balance Gap traces the paths individual women take in understanding and invoking work/life balance laws and policies. Conducting in-depth interviews with women in two distinctive workplace settings—public universities and the U.S. military—Sarah Cote Hampson uncovers how women navigate the laws and the unspoken cultures of their institutions. Activists and policymakers hope that family-friendly law and policy changes will not only increase women's participation in the workplace, but also help women experience greater workplace equality. As Hampson shows, however, these policies and women's abilities to understand and utilize them have fallen short of fully alleviating the tensions that women across the nation are still grappling with as they try to reconcile their work and family responsibilities.
The Men Who Killed the News
Readings Best Books of 2024, Non-Fiction Nominated for the 2025 Sperber Prize Never before has the media played such an active part in our politics, with Elon Musk using X to affect world elections and direct US government policy. But as Crikey owner and ex-News Corp executive Eric Beecher shows, media moguls have a long history of abusing their power … What’s gone wrong with our media? The answer: its owners. From William Randolph Hearst to Elon Musk, from the British press barons to colonial upstarts Conrad Black and Rupert Murdoch, media proprietors have manipulated the news to accumulate wealth and influence as they meddled with democracy. Eric Beecher knows the news business from bo...
Broadcasting & Cable
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Mediaweek
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Atlantis
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