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Building on the foundational work of the Rhodes-Livingstone Institute, the essays contained in Living the End of Empire offer a more nuanced and complex picture of the late-colonial period in Zambia than has hitherto been presented in nationalist histories.
The Routledge Companion to Postcolonial African Historiography explores history's fortunes in Modern Africa south of the Sahara, from the discipline's Golden Age as a handmaiden in struggles against colonialism, to difficult decades when its survival has been threatened by capricious political and economic conditions, and the uncertain present where the continent’s historians struggle to justify their value to frequently sceptical publics. In exploring the discipline’s practical role in past struggles for African emancipation the volume speaks directly to these challenging but changing circumstances. The chapters feature contributions from leading experts on historiographical traditions ...
Why did some central African peoples embrace gun technology in the nineteenth century, and others turn their backs on it? In answering this question, The Gun in Central Africa offers a thorough reassessment of the history of firearms in central Africa. Marrying the insights of Africanist historiography with those of consumption and science and technology studies, Giacomo Macola approaches the subject from a culturally sensitive perspective that encompasses both the practical and the symbolic attributes of firearms. Informed by the view that the power of objects extends beyond their immediate service functions, The Gun in Central Africa presents Africans as agents of technological re-innovation who understood guns in terms of their changing social structures and political interests. By placing firearms at the heart of the analysis, this volume casts new light on processes of state formation and military revolution in the era of the long-distance trade, the workings of central African gender identities and honor cultures, and the politics of the colonial encounter.
This book takes the themes and approaches of Professor Cyril Ehrlich's pathbreaking work on British social history in music as its inspiration. In sixteen substantial new essays, all specially commissioned from cultural and musical historians, it embraces the music marketplace, piano culture, musicians work patterns, music institutions and audiences, concert and repertoire history, issues in performance, criticism and reception, gender, and national and urban identities all with a clear focus on art music traditions (significantly under-treated by music scholars in this area). The cultural importance of serious music, from Belfast to Calcutta, has long been assumed for the period but rarely demonstrated. Here it is central, interwoven with the social and economic realities confronting music people in Britain across the 19th century.
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Drawing on many years of African experience, John Reader has written a book of startling grandeur and scope that recreates the great panorama of African history, from the primeval cataclysms that formed the continent to the political upheavals facing much of the continent today. Reader tells the extraordinary story of humankind's adaptation to the ferocious obstacles of forest, river and desert, and to the threat of debilitating parasites, bacteria and viruses unmatched elsewhere in the world. He also shows how the world's richest assortment of animals and plants has helped - or hindered - human progress in Africa.