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The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore ...
A second edition of Coriolanus featuring a new introductory section by Bridget Escolme.
This edited collection explores what trauma—seen through an analytical lens—can reveal about the early modern period and, conversely, what conceptualizations of psychological trauma from the period can tell us about trauma theory itself.
At a moment when France was coming to new prominence in the production of furniture and fashion, the fairy tales of Marie-Catherine d’Aulnoy (1652–1705) and Henriette-Julie de Murat (1670–1716) gave pride of place to richly detailed descriptions of palaces, gardens, clothing, and toys. Through close readings of these authors’ descriptive prose, Rori Bloom shows how these practitioners of a supposedly minor genre made a major contribution as chroniclers and critics of the decorative arts in Old Regime France. Identifying these authors’ embrace of the pretty and the playful as a response to a frequent critique of fairy tales as childish and feminine, Making the Marvelous demonstrates their integration of artisan’s work, child’s play, and the lady’s toilette into a complex vision of creativity. D’Aulnoy and Murat changed the stakes of the fairy tale, Bloom argues: instead of inviting their readers to marvel at the magic that changes rags to riches, they enjoined them to acknowledge the skill that transforms raw materials into beautiful works of art.
The plays, theme or focus of this volume includes: The Comedy of Errors Love's Labour's Lost The Merchant of Venice The Taming of the Shrew
William Dare (1653-ca. 1719) was born in Lyme Regis, Dorset, England. He married Constant and they were the parents of seven children. William died in Nantuxit, Salem County, New Jersey. Descendants lived in New Jersey and throughout the U.S.
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Brief history of Hereford cattle: v. 1, p. 359-375.