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Boundaries in Medieval Romance
Medieval romance frequently, and perhaps characteristically, capitalises on the dramatic and suggestive possibilities implicit in boundaries - not only the geographical, political and cultural frontiers that medieval romances imagine and imply, but also more metaphorical demarcations. It is these boundaries, as they appear in insular romances circulating in English and French, which the essays in this volume address. They include the boundary between reality and fictionality; boundaries between different literary traditions, modes and cultures; and boundaries between different kinds of experience or perception, especially the 'altered states' associated with sickness, magic, the supernatural, or the divine.
The 1879 Theft of Royal Ms 16 E VIII from the British Museum
In June 1879, Royal MS 16 E VIII, a unique 13th-century manuscript, vanished from the Round Reading Room of the British Museum after being returned by a Prussian reader. This essay synthesises 20 years of rigorous research since the author's previous publications, offering new insights into this significant case. The study examines the intense academic rivalries between German and French scholars after the Franco-Prussian War and the profound cultural significance of Royal MS 16 E VIII, which contained the sole copy of "Le Voyage de Charlemagne à Jérusalem et à Constantinople," believed to be the oldest poem in French literature. It highlights key figures, including the Prussian philologist Eduard Koschwitz and Herr Rothe, J.R.R. Tolkien’s teacher at KES, and provides a detailed textual reconstruction of the lost manuscript. Aimed at historians, philologists, and medievalists, this updated work illuminates the impact of the Franco-Prussian War on academic nationalism and cultural heritage. It is an indispensable resource for understanding a pivotal moment in the history of Europe and the British Museum.
Constructions of Childhood and Youth in Old French Narrative
Examining the portrayal of childhood and youth in a large sample of medieval French verse narratives, this study analyzes representations of childhood in two genres: chansons de geste, or Old French epic poems, and romances. Phyllis Gaffney identifies differences in, and relationships between, portrayals of the young in the two genres, and demonstrates the significance of developments in twelfth- and thirteenth-century poetry for changing cultural perspectives on childhood and youth.
Shaping Identity in Medieval French Literature
This collection of essays argues that literary identity can be created and re-created, adopted, refused, imposed, and self-imposed, and that one may exist within a group while remaining foreign to it. Contributors examine this theme through a wide range of lenses--from marginal characters to gender to questions of voice and naming--in works that span genres and historical periods.
Idols in the East
Representations of Muslims have never been more common in the Western imagination than they are today. Building on Orientalist stereotypes constructed over centuries, the figure of the wily Arab has given rise, at the dawn of the twenty-first century, to the "Islamist" terrorist. In Idols in the East, Suzanne Conklin Akbari explores the premodern background of some of the Orientalist types still pervasive in present-day depictions of Muslims-the irascible and irrational Arab, the religiously deviant Islamist-and about how these stereotypes developed over time. Idols in the East contributes to the recent surge of interest in European encounters with Islam and the Orient in the premodern world...
Routledge Revivals: Women and Gender in Medieval Europe (2006)
First published in 2006, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE. This reference work provides a comprehensive understanding of many aspects of medieval women and gender, such as art, economics, law, literature, sexuality, politics, philosophy and religion, as well as the daily lives of ordinary women. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Additional up-to-date bibliographies have been included for the 2016 reprint. Written by renowned international scholars and easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be a valuable resource on women in Medieval Europe.
The Song of Roland
A contemporary prose rendering of the great medieval French epic, The Song of Roland is as canonical and significant as the Anglo-Saxon Beowulf. It extols the chivalric ideals in the France of Charlemagne through the exploits of Charlemagne's nephew, the warrior Roland, who fights bravely to his death in a legendary battle. Against the bloody backdrop of the struggle between Christianity and Islam, The Song of Roland remains a vivid portrayal of medieval life, knightly adventure, and feudal politics. The first great literary works of a culture are its epic chronicles, those that create simple hero-figures about whom the imagination of a nation can crystallize, observed V. S. Pritchett. The Song of Roland is animated by the crusading spirit and fortified by national and religious propaganda. This edition features W. S. Merwin's glowing, lyrical translation.
Parergon
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