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The cultural history of the Cold War has been characterized as an explosion of fear and paranoia, based on very little actual intelligence. Both the US and Soviet administrations have since remarked how far off the mark their predictions of the other's strengths and aims were. Yet so much of the cultural output of the period – in television, film, and literature – was concerned with the end of the world. Here, Nicholas Barnett looks at art and design, opinion polls, the Mass Observation movement, popular fiction and newspapers to show how exactly British people felt about the Soviet Union and the Cold War. In uncovering new primary source material, Barnett shows exactly how this seeped in to the art, literature, music and design of the period.
The impact of the Algerian War (1954-1962) continues to resonate in France, where the subject was long repressed in the collective psyche. This book sheds new light on a memory community at the heart of the conflict: the million European settlers known as the pieds-noirs, who migrated to France as the war reached its bloody end. Aoife Connolly draws on theories of performativity to explore autobiographical and fictional narratives by the settlers in over 30 canonical and non-canonical works of literature and film produced from the colony’s imminent demise up to the present day. Connolly focuses on renewed attachment to the family in exile in a comprehensive analysis of settler masculinity, femininity, childhood, and adolescence that uncovers neglected representations, including homosexual and Jewish voices. Findings on the construction of a post-independence identity and collective memory have broader implications for communities affected by colonization and migration. Scholars of French Studies, Postcolonial Studies, Cultural Studies, Gender and Identity Studies, Memory Studies and Migration Studies will find this book particularly useful.
At the end of French colonization in Algeria, four categories of people held French citizenship or had strong ties with France: European settlers, Jews, mixed-race individuals, and Harkis. The end of the War of Independence exiled most of them from Algeria, traumatized them in various ways, and transferred many to metropolitan France. Remnants of the Franco-Algerian Rupture: Archiving Postcolonial Minorities examines the legacies of these transnational identities through narratives that dissent from official histories, both in France and Algeria. This literature takes particular stories of exile and loss and constructs a memory around a Mosaic father figure embodying the native land, Algeria. Mona El Khoury argues that these filiation narratives create a postcolonial archive: a discursive foundation that makes historical minorities visible,while disrupting French and Algerian hegemonies. El Khoury questions the power of literature to repair history while contending that these literary strategies seek to do justice to the dead Algerian father, even as they valorize enduring minority identifications.
Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature—and the way we read, classify, and critique literature—impacts our understanding of the world at a time of conflict. Using the bitterly-contested Algerian Civil War as a case study, Joseph Ford argues that, while literature is frequently understood as an illuminating and emancipatory tool, it can, in fact, restrain our understanding of the world during a time of crisis and further entrench the polarized discourses that lead to conflict in the first place. Ford demonstrates how Francophone Algerian literature, along with the cultural and academic criticism that has surrounded it, has mobilized visions of Algeria over the past thirty years that often belie the complex and multi-layered realities of power, resistance, and conflict in the region. Scholars of literature, history, Francophone studies, and international relations will find this book particularly useful.
Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean interrogates conventional notions of writing. The contributors—whose disciplines include anthropology, art history, education, film, history, linguistics, literature, performance studies, philosophy, sociology, translation, and visual arts—examine the complex interplay between language/literature/arts and the visual and virtual domains of expressive culture. The twenty-five essays explore various patterns of writing practices arising from contemporary and historical forces that have impacted the literatures and cultures of Benin, Cameroon, Côte d’Ivoire, Egypt, Guadeloupe, Haiti, Martinique, Morocco, Niger, Reunion Island, and Senegal. Special attention is paid to how scripts, though appearing to be merely decorative in function, are often used by artists and performers in the production of material and non-material culture to tell “stories” of great significance, co-mingling words and images in a way that leads to a creative synthesis that links the local and the global, the “classical” and the “popular” in new ways.
This book presents the stories of men and women charged with murder in nineteenth century Ireland. Some were found guilty and sentenced to death and others were sent to the Central Criminal Asylum for Ireland at Dundrum. For those considered to be 'insane' at the time of committing the crime, their fate was an indefinite committal to Dundrum. For those considered responsible for their actions, it meant the death sentence which, in the first half of the century, was often reduced to transportation and, in the second half of the century, to penal servitude within the prison system. Drawing on her specialist knowledge of mental health policy and law, and with unique access to convict records, P...
While several fine texts on intelligence have been published over the past decade, there is no complementary set of volumes that addresses the subject in a comprehensive manner for the general reader. This major set explains how the sixteen major U.S. intelligence agencies operate, how they collect information from around the world, the problems they face in providing further insight into this "raw" information through the techniques of analysis, and the difficulties that accompany the dissemination of intelligence to policymakers in a timely manner.
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While several fine texts on intelligence have been published over the past decade, there is no complementary set of volumes that addresses the subject in a comprehensive manner for the general reader. This major set explains how the sixteen major U.S. intelligence agencies operate, how they collect information from around the world, the problems they face in providing further insight into this "raw" information through the techniques of analysis, and the difficulties that accompany the dissemination of intelligence to policymakers in a timely manner.