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This book deals for the first time with the cultural history of media in nineteenth-century Iran, a history that deals with how modern techniques of representation and communication were received in the Iranian Shi.a society. This reception history is examined in religious photography, military reforms, Persian passion plays, Shi.a medicine, and the burgeoning telegraphic culture. The problematic relationship between Sh..a Islam and 19th-century media is conceptualised and contextualised, especially through the lens of the first Polytechnique college (D.r al-Fonun, 1851) in Iran. This college is conceptualised as a media laboratory, where the technological sphere in Iran was fundamentally transforming. It is also contextualised in the age of reform, a period in which the Middle East was undergoing widespread social, political, and military changes. Islamic (art) history, Iranian Studies, and cultural analysis form an interdisciplinary analytic framework to create new knowledge about the historical complexity of 19th-century Iran.
In the first volume to place Deleuze and Guattari's philosophy in the context of contemporary fascism, international contributors uncover and reflect upon the anti- and non-fascist ethics situated in their framework and that of the scholarship that followed after.The 'new philosophy' that Deleuze and Guattari propose to us is engaged and situated and it asks us to map urgent issues, not by opposing ourselves to it, but by mapping how it is part of the everyday, and of ourselves. The global rise of fascism today demands a rigid and careful analysis. The concepts and themes that Deleuze (and Guattari) handed to us in their extensive oeuvre can be of immense help in capturing its micropolitics ...
This book examines and contextualizes Abū Ḥāmid Muḥammad Ghazzālī’s (d. 505/1111) fierce response to antinomian and freethinking currents in twelfth-century Persia. Seyed-Gohrab offers a translation of Ghazzālī’s treatise on antinomians, and one of his religious rulings (fatwa) on the topic. Both were written after Ghazzālī’s intellectual crisis in 488/1095, when he voluntarily withdrew from his position as a Professor at the prestigious Niẓāmiyya College in Baghdad. He determined to live an ascetic life, devoting all his attention to God. In this period, Ghazzālī wrote his masterpieces in Arabic and Persian. Seyed-Gohrab shows that these two less-known works shed new ...
Islamic Sensory History, Volume 2: 600–1500 presents a selection of texts translated into English from Arabic and Persian. These selected texts all offer illustrative engagements with issues related to the sensorium in different times, places, and social milieus throughout the early and medieval history of Islamic societies. Each chapter is prefaced by an introductory essay by the translator, with specific attention to the role of the senses in the translated text’s language, genre, and social context. Contributors Eyad Abuali, Tanvir Ahmed, Hanif Amin Beidokhti, Shahzad Bashir, Maroussia Bednarkiewicz, David Bennett, Hinrich Biesterfeldt, Julie Bonnéric, Adam Bursi, Fatih Han, Rotraud Hansberger, Jan Hogendijk, Domenico Ingenito, Anya King, Hannelies Koloska, Christian Lange, Danilo Marino, Richard McGregor, Pernilla Myrne, Nawal Nasrallah, Zhinia Noorian, Austin O’Malley, Franz Rosenthal (†), Everett K. Rowson, Abdelhamid I. Sabra (†), George Sawa, Asghar Seyed-Gohrab, Jocelyn Sharlet, Cornelis van Lit, Geert Jan van Gelder, James Weaver, Ines Weinrich, Brannon Wheeler, Alan Williams, Cyrus Ali Zargar.
Contributing to scholarship studying Islam alongside other late antique religions, Traces of the Prophets highlights how early Muslims deployed sacred objects and spaces to inscribe and dispute Islam’s continuities with, and differences from, Judaism and Christianity. The book argues that prophets’ relics ritually and rhetorically shaped Muslim identities in the first centuries of Islam.Traces of the Prophets rewrites the history of holy bodies and sacred spaces in the emergence of Islam. Rather than focusing on theological controversies among early Muslims, this book is grounded in the material objects and places that Muslims touched and 'thought with' in defining Islamic practice and belief. While often marginalized in modern scholarship, sacred relics and spaces stood at the disputed boundaries of emergent Islamic identities. Objects and spaces like Abraham’s footprints in Mecca and Muhammad’s tomb in Medina provided sites of shared Islamic ritual, as well as tools for differentiating Muslims from non-Muslims.
This book presents fresh insights into the life, teachings, and enduring legacy of the Persian mystic poet Jalāl al-Dīn Rūmī. Across thirteen chapters, scholars introduce innovative perspectives on under-explored and emerging themes, from the hagiography written by Rūmī’s son, Sulṭān Valad, and his journey towards accepting spiritual leadership, to Rūmī’s passionate relationship with his beloved friend, Shams-i Tabrīzī. The volume also provides new approaches to reading Rūmī’s monumental didactic narrative, the Mathnavī. Topics range from shāhid-bāzī – worshipping a beautiful face to commune with the divine – to supplication (munājāt), immolation, sensory perce...
Trading Places rethinks, develops, and tests design-driven practices and methods to engage with participation in public space and public issues. With this book we aim to help art and design researchers, students, practitioners, and the multiple stakeholders they collaborate with, to explore what participatory ways of working in our contemporary urban environment entail. Six approaches are discussed: intervention, performative mapping, play, data mining, modelling in dialogue, and curating. Each approach offers a different kind of logic and produces a different type of knowledge. Trading Places invites the reader to discover common ground, explore new territories, and exchange points of view – in short, to trade perspectives on issues of participation.
This book explores the Persian sage ʿUmar Khayyām and the globally renowned quatrains (rubāʿiyyāt) attributed to him from a new angle. These quatrains have unleashed responses from Sufis and Islamic theologians, fostering secular thought in the Persianate world. From the early 12th century to the present, ʿUmar Khayyām’s persona has been a source of inspiration for various literate communities. This monograph addresses an undesirable gap in Khayyām scholarship by re-examining the reception of his quatrains within a changing collective memory. It investigates a wide range of texts and objects, including Sufi texts, chronicles, mystical poetry anthologies, memorial monuments, Victori...