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This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
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This broad-sweeping survey of the National Gallery's paintings, sculptures, drawings, prints, photographs, and decorative arts and design collections features more than 400 works. Indigenous and non-Indigenous works are represented, with iconic favourites such as Sidney Nolan's 'Ned Kelly' series set alongside important but lesser-known acquisitions. The works are arranged in chronological order, from 1770 to 2002--'Pre-colonial and Colonial' through to 'Art Now'. Insightful essays from over 50 artists, curators and scholars, range from personal reflections by artists discussing their own works to more discursive or critical commentaries placing works in their historical context.
Brief overview of prehistory, contact history, religious beliefs and burial practices; survey of rock and bark painting; body decoration/mutilation; ritual objects; kadaitja shoes; weapons; fibre objects; stone, bone and shell implements; Most illustrated examples pre 1900.