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The Stylistics of Embodiment
This book presents a stylistic framework for analysing embodiment in lyric texts. While the assumption that our minds are embodied underlies most approaches in cognitive stylistics (and beyond), a systematic account of the linguistic patterns through which the body may be manifested in poetic expression has not yet been provided. Aiming to fill this gap, the book focuses on contemporary lyric texts that prominently engage the senses in depicting past experiences. Drawing its tools mainly from Cognitive Grammar and research on conceptual metaphors and iconicity, the book investigates how sensory language gives rise to simulated embodied responses. In doing so, the book views poetic expression...
Law, Visual Culture, and the Show Trial
Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, this book examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors a...
Art in Contemporary Anglo-American Fiction
This book addresses the recent surge of Anglo-American novels about visual art since the 2010s and interprets it as a coming of age of an old literary sub-genre, which is here termed as the 'ekphrastic novel'. These novels are distinguished by their systematic use of ekphrasis which creatively and critically negotiates the intertwined aesthetics of literature and visual art. By addressing the challenge of representing visual images such as photographs, paintings, and art installations with words, these novels reveal a greater interest in exploring how and why we engage with art, rather than merely depicting the art itself. In this way, ekphrastic novels present themselves as powerful practit...
Engagements with Adaptation
Engagements with Adaptation invites students both to consider adaptations on their own terms and to engage with the urgent questions they raise about literary canons; the media industry; the relations between different kinds of media; the nature of national, political, and cultural identities; and the ways in which contemporary digital and social media have complicated the roles of producers and consumers of texts. Thomas Leitch guides students through six ways of thinking about adaptation: aesthetic, intertextual, industrial, biological, sociological, and participatory. He explores multiple media and discusses a wide range of sources, including Frankenstein, Persepolis, Bridgerton, and the ...
Feeling, Skill and Knowledge: Semiotics of the Subject in Environment, Culture and World
Marketing text: This edited volume includes contributions from scholars worldwide addressing how feeling, skill, and knowledge are present in the processes of signification, the subject’s life, environment, and culture. Understanding signs, signification and their dynamics are now more crucial than ever as meaning affects how human beings flourish in social systems and societies. This text focuses on how theories and research into meaning and signification address knowledge, skill, and feeling – three concepts that are central to semiosis. The book is primarily of interest to scholars and students working in psychology, philosophy, communication, cultural studies, the arts – and semiotics.
Open Semiotics. Volume 4
Given that signs and meanings pervade the world in its different aspects, semiotics is naturally open to interactions with other fields, from the humanities and social sciences to the natural and pure sciences. Open Semiotics aims to explore and expand these interactions, and to facilitate new avenues for interdisciplinary and transdisciplinary research, providing insights into a redeployment of disciplinary fields. Such an endeavor, which is intended to benefit the entire scientific community, has drawn upon extensive cooperation. This has resulted in 141 chapters authored by 178 scholars from 58 countries spanning all continents, which represent a broad array of trends and approaches as well as numerous and diverse disciplinary crossings. Open Semiotics comprises four volumes: (1) Epistemological and Conceptual Foundations, (2) Culture and Society, (3) Texts, Images, Arts, (4) Life and its Extensions. This book is the fourth and last volume of the project.
Open Semiotics. Volume 2
Given that signs and meanings pervade the world in its different aspects, semiotics is naturally open to interactions with other fields, from the humanities and social sciences to the natural and pure sciences. Open Semiotics aims to explore and expand these interactions, and to facilitate new avenues for interdisciplinary and transdisciplinary research, providing insights into a redeployment of disciplinary fields. Such an endeavor, which is intended to benefit the entire scientific community, has drawn upon extensive cooperation. This has resulted in 141 chapters authored by 178 scholars from 58 countries spanning all continents, which represent a broad array of trends and approaches as well as numerous and diverse disciplinary crossings. Open Semiotics comprises four volumes: (1) Epistemological and Conceptual Foundations, (2) Culture and Society, (3) Texts, Images, Arts, (4) Life and its Extensions. This book is the second volume of the project.
Handbook of Poetic Forms
This Handbook of Poetic Forms aims to offer historically informed approaches to a wide variety of poetic forms. A particular emphasis will be on considering poetic form in dialogue with the cultural context in which it is being used, as well as within the literary tradition of each form, and to explore the stable as well as the historically variable affordances of each form in such contexts. Hereby, the focus lies on prescriptive forms, that is, on poetic forms which are defined by or at least associated with specific metrical, stanzaic or overall structures (or the absence of such), rather than poetic genres that are primarily characterised by similarities in subject matter (like the elegy or the ode). While this Handbook should be accessible to students, its aim is not to offer basic introductions, but rather to broaden a historical and functional understanding of the poetic forms it covers, and to engage with poetic forms not as givens, but as historically-contingent processes of formation. Above all, this Handbook’s formalism is new formalist in emphasising historical awareness and contextualisation.
Neglected American Women Writers of the Long Nineteenth Century
Neglected American Women Writers of the Long Nineteenth Century, edited by Verena Laschinger and Sirpa Salenius, is a collection of essays that offer a fresh perspective and original analyses of texts by American women writers of the long nineteenth century. The essays, which are written both by European and American scholars, discuss fiction by marginalized authors including Yolanda DuBois (African American fairy tales), Laura E. Richards (children’s literature), Metta Fuller Victor (dime novels/ detective fiction), and other pioneering writers of science fiction, gothic tales, and life narratives. The works covered by this collection represent the rough and ragged realities that women an...
Performativity and the Representation of Memory: Resignification, Appropriation, and Embodiment
The age of digital culture has not only brought significant transformations in how we perceive memory, history, and heritage, but it has also raised pressing questions about authenticity and ownership of memory. The role of digital technologies in shaping collective identities is a topic of intense scrutiny. Moreover, contemporary societies grapple with complex issues in the politics of memory, especially with the proliferation of diverse narratives and the manipulation of public spaces. The book's content is therefore highly relevant, offering critical reflection and scholarly analysis to these societal challenges. Performativity and the Representation of Memory: Resignification, Appropriat...
