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Engagements with Adaptation
Engagements with Adaptation invites students both to consider adaptations on their own terms and to engage with the urgent questions they raise about literary canons; the media industry; the relations between different kinds of media; the nature of national, political, and cultural identities; and the ways in which contemporary digital and social media have complicated the roles of producers and consumers of texts. Thomas Leitch guides students through six ways of thinking about adaptation: aesthetic, intertextual, industrial, biological, sociological, and participatory. He explores multiple media and discusses a wide range of sources, including Frankenstein, Persepolis, Bridgerton, and the ...
Theorizing Adaptation
From film and television theory to intertextuality, poststructuralism to queer theory, postcolonialism to meme theory, a host of contemporary theories in the humanities have engaged with adaptation studies. Yet theorizing adaptation has been deemed problematic in the humanities' theoretical and disciplinary wars, been charged with political incorrectness by both conservative and radical scholars, and declared outdated and painfully behind the times compared to other disciplines. And even separate from these problems of theorization is adaptation's subject matter - with many film adaptations of literature widely and simply declared "bad." In this thorough and groundbreaking study, author Kami...
Film Adaptation and Its Discontents
Publisher description
Adaptation and the Edge Effects of Latin American Cultures
This book delves into the vibrant and dynamic cultural landscape of Latin America, exploring the creative frictions that arise from the coexistence among, and tensions between, diverse cultures. Inviting readers to think through critical questions about cultural and textual adaptation, this book examines how stories, texts, genres, and cultural practices develop into configurations that are both distinct and intimately connected to their progenitors. The metaphor of the “edge effect,” borrowed from ecology, serves as a lens to understand these productive tensions. This book addresses a wide range of topics, including cultural change in the Americas, intertextual relationships, and adaptive histories. Ideal for scholars in Latin American studies, film studies, and adaptation studies, this book offers a novel analytical framework that enriches current academic practices and theories of hybridity, contact zones, and rhizomatic connections. It is a must-read for anyone interested in the complex interrelations between Latin American cultures and their textual and artistic expressions.
Conrad’s Presence in Contemporary Culture
The anthology consists of essays authored by scholars of different nationalities from diverse cultures, nations and primary languages. They cover Conrad’s presence across multiple media (fiction, films, comics, and graphic novels). The collection is unique because the contributors focused on Conrad’s presence in contemporary culture – a constantly changing field – rather than well-trodden paths. The exploration of Polish, French, Italian, Spanish, English and American works of art strengthens its originality. The artists discussed in connection with Conrad include Olga Tokarczuk, Stanisław Lem, Robert Silveberg, Loic Godart, Christian Bobin, Christian Perrissin, Tom Tirabosco, Eduardo Berti, J.M. Coetzee, Michelangelo Antonioni. Last but not least, the volume contains 20 stunning reproductions in full colour from films, graphic novels and comics.
The Routledge Companion to Joseph Conrad
The Routledge Companion to Joseph Conrad attests to the global significance and enduring importance of Conrad’s works, reception, and legacy. This volume brings together an international roster of scholars who consider his works in relation to biography, narrative, politics, women’s studies, comparative literature, and other forms of art. They offer approaches as diverse as re-examining Conrad’s sea voyages using newly available digital materials, analyzing his archipelagic narrative techniques, applying Chinese philosophy to Lord Jim, interrogating gendered epistemology in the neglected story “The Tale,” considering Conrad alongside W.E.B. Du Bois, Graham Greene, Virginia Woolf, or Orhan Pamuk, or alongside sound, gesture, opera, graphic novels, or contemporary events. An invaluable resource for students and scholars of Conrad and twentieth-century literature, this groundbreaking collection shows how Conrad’s works – their artistry, vision, and ideas – continue to challenge, perplex, and delight.
The Scandal of Adaptation
The essays in this volume seek to expose the scandals of adaptation. Some of them focus on specific adaptations that have been considered scandalous because they portray characters acting in ways that give scandal, because they are thought to betray the values enshrined in the texts they adapt, because their composition or reception raises scandalous possibilities those adapted texts had repressed, or because they challenge their audiences in ways those texts had never thought to do. Others consider more general questions arising from the proposition that all adaptation is a scandalous practice that confronts audiences with provocative questions about bowdlerizing, ethics, censorship, contagion, screenwriting, and history. The collection offers a challenge to the continued marginalization of adaptations and adaptation studies and an invitation to change their position by embracing rather than downplaying their ability to scandalize the institutions they affront.
New Hollywood Violence
New Hollywood Violence is a groundbreaking collection of essays devoted to an interrogation of various aspects, dimensions, and depictions of violence in New Hollywood filmmaking. "New Hollywood" refers to the return to genre filmmaking following America's flirtation with European art cinema in the late 1960s and early 1970s, and is characterized by vast production budgets and special effects. Focusing on the motivations, the formal and stylistic qualities and the cultural politics of violence as well as the effects on viewers, the collection is divided into four sections: "Surveys and schemas"; "Spectacle and style"; "Race and gender" and "Politics to ideology". An Afterword by Stephen Prince reflects on the various essays and points the way towards areas of future exploration.
