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This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
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In Made in England: Australia's British Inheritance, David Malouf looks at Australia's bond with Britain and wonders whether it wasn't the Mother Country which did most of the giving. This is an essay which presents British civilisation, the civilisation of Shakespeare and the Enlightenment and the Westminster system, as the irreducible ground on which any Australian achievement is based. Britain has always been the tolerant parent, and an older Australia could be both intensely patriotic and see itself as what it was, a transplantation of Britain. This relationship did not exclude America but it made for a sometimes complicated threesome of nations. This is a brilliant, deeply meditated ess...
Setting the benchmark for the Australian essay the definitive, up-to-date collection. Each year, The Best Australian Essays brings together the most outstanding non-fiction from around the country. In 2011, to celebrate a rich decade of writing on all manner of topics, Black Inc.
In the end, I trusted gut feeling most when picking these essays ...... writing that made me laugh, reminded me of times I'd forgotten, or took me places I'd always wanted to go. - David Marr It was the year of Wall Street's collapse and Australia's apology, of a film-world tragedy and an art-world scandal. In Best Australian Essays 2008, David Marr has selected great writing from a turbulent time. With eyewitness accounts from crisis zones and film sets, deserts and campaign trails, and tales of failing banks and wounded birds, hitchhiking and footy jumpers, mourning brothers and raising children, music, media, art, love and obscenity, these wonderful essays paint a vivid picture of the year that was. Contributors include- Tim Flannery, Kate Jennings, Guy Rundle, Don Watson, Christos Tsiolkas, Robert Manne, Les Carlyon, Tim Winton, Robert Dessaix, Barry Humphries, Inga Clendinnen, David Malouf, Nicolas Rothwell, plus many more.