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The New York Conspiracy: A History of the Negro Plot
In 1741, Manhattan had the second-largest slave population of any city in the Thirteen Colonies after Charleston, South Carolina. As a result The Conspiracy of 1741, also known as the Negro Plot of 1741 broke out in New York. This rebellion is marked as one of the most controversial events in the early American history because most historians disagree as to whether such a plot existed and, if there was one, its scale. This alleged conspiracy served as an excuse for a brutal revenge of the local authorities. The main target were African slaves. As in the Salem witch trials, a few witnesses implicated many other suspects. In the end, over 100 people were hanged, exiled, or burned at the stake.
Found Theology
Found Theology is a book about how theology deals with newly-encountered (of 'found') material in time, and about the role of imagination in these encounters. The book is unusual and ground-breaking exercise in the interdisciplinary discussion of theology and the arts. Ben Quash brings together elements of doctrine, scripture, the fine arts and the experiences of everyday life. He looks closely at Christian artistic traditions via a number of case studies that represent a rich source of examples of the way that the new times properly stimulate new expressions of known and loved things. Quash engages closely with some serious and prominent American scholars, namely Peter Ochs, Daniel W. Hardy, C.S. Peirce and David H. Kelsey.
The New York Conspiracy in the Years 1741-2
In 1741, Manhattan had the second-largest slave population of any city in the Thirteen Colonies after Charleston, South Carolina. As a result The Conspiracy of 1741, also known as the Negro Plot of 1741 broke out in New York. This rebellion is marked as one of the most controversial events in the early American history because most historians disagree as to whether such a plot existed and, if there was one, its scale. This alleged conspiracy served as an excuse for a brutal revenge of the local authorities. The main target were African slaves. As in the Salem witch trials, a few witnesses implicated many other suspects. In the end, over 100 people were hanged, exiled, or burned at the stake.
Theology, Music, and Modernity
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern ...
Balthasar at End of Modernity
With a Foreword by Fergus Kerr and an Afterword by Rowan WilliamsIn an age when theology appears fragmented as never before, this volume intends to show how von Balthasar is one of the very few contemporary theologians to have demonstrated how the patterns and resources of the Christian tradition have extraordinary pertinence today.The authors represent a new generation of Anglican theologians sympathetic to von Balthasar's thought, exploring it both in order to discover its fundamental dynamics and to see how it may be brought into new dialogues.The authors represent the 'Radical Orthodoxy' movement in Anglican theology, and are sympathetic to von Balthasar's thought, exploring it both in order to discover its fundamental dynamics and to see how it may be brought into new dialogues.
The Hermeneutics of Doctrine
Throughout the book Thiselton shows how perspectives that arise from hermeneutics shed fresh light on theological method, reshape horizons of understanding, and reveal the relevance of doctrine for formation and for life. --
Improvisation
In Improvisation, Samuel Wells defines improvisation in the theater as "a practice through which actors seek to develop trust in themselves and one another in order that they may conduct unscripted dramas without fear." Sounds a lot like life, doesn't it? Building trust, overcoming fear, conducting relationships, and making choices--all without a script. Wells establishes theatrical improvisation as a model for Christian ethics, a matter of "faithfully improvising on the Christian tradition." He views the Bible not as a "script" but as a "training school" that shapes the habits and practices of the Christian community. Drawing on scriptural narratives and church history, Wells explains six practices that characterize both improvisation and Christian ethics. His model of improvisation reinforces the goal of Christian ethics--to teach Christians to "embody their faith in the practices of discipleship all the time."
The Achievement of Hans Urs von Balthasar
In The Achievement of Hans Urs von Balthasar, Matthew Levering has written a book for theologically educated readers who mistrust von Balthasar or who mistrust von Balthasar’s critics. The book shows that von Balthasar’s critics can and should benefit both from the rich and wide-ranging conversations that mark his trilogy and from the critical and constructive engagement with German philosophical modernity offered by the trilogy. In addition, Levering hopes to show that those who mistrust von Balthasar’s critics need to be more Balthasarian in their response to criticisms of the Swiss theologian.
The Artistic Sphere
The Neo-Calvinist tradition is well-equipped to offer wisdom on the arts to the whole body of Christ. Edited by art scholar Roger Henderson and Marleen Hengelaar-Rookmaaker, daughter of Hans Rookmaaker, this volume brings together history, philosophy, and theology to consider the relationship between the arts and the Neo-Calvinist tradition.
