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Originally published in 1868, this history features in-depth research and interviews with veterans, illuminating the events of the war in greater detail than any previous work. It also brings to view soldiers whose deeds have been overlooked by history, but whose sacrifices will forever be remembered.
Benson J. Lossing (1813-1891), whose career as a populizer of United States history spanned nearly sixty years, is the focus of this study of the production and uses of history in nineteenth-century American culture. After an introduction on relevant theory and methodology and the background for American historical writing, nine chronological chapters trace Lossing's career from an impoverished youth in rural New York through a thirty-year sojourn in New York City and later periods of voluminous writing. A conclusion discusses how Lossing's reputation suffered after the rise of academic historians who perceived him as lacking scholarly exactitude.
Book History is the annual journal of the Society for the History of Authorship, Reading and Publishing, Inc. (SHARP). Book History is devoted to every aspect of the history of the book, broadly defined as the history of the creation, dissemination, and the reception of script and print. Book History publishes research on the social, economic, and cultural history of authorship, editing, printing, the book arts, publishing, the book trade, periodicals, newspapers, ephemera, copyright, censorship, literary agents, libraries, literary criticism, canon formation, literacy, literacy education, reading habits, and reader response.
In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War — the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children’s stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war’s political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the ...
Over the past two hundred years, Americans have reproduced George Washington’s Mount Vernon plantation house more often, and in a greater variety of media, than any of their country’s other historic buildings. In this highly original new book, Lydia Mattice Brandt chronicles America’s obsession with the first president’s iconic home through advertising, prints, paintings, popular literature, and the full-scale replication of its architecture. Even before Washington’s death in 1799, his house was an important symbol for the new nation. His countrymen used it to idealize the past as well as to evoke contemporary--and even divisive--political and social ideals. In the wake of the mid-...
Whats this book about? It's about TRUTH. According to the Internet and the media, the Founding Fathers were deists and atheists. That is NOT TRUE. The Historical Record is clear: The Signers of the Declaration of Independence, an exemplar of the Founding Fathers, were, for the most part, men of religious faith. The reader is directed to hundreds of historical references, many accessible online, which tell us the TRUTH that none of the Signers of the Declaration were publicly professing atheists and only a handful of them were ever publicly categorized as deists in their day. (And most of those characterizations were NOT TRUE.) The author spent years researching this subject and gathering dat...
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