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The architecture designed by the Tokyo-based firm Architect 5 brings together technical expertise and poetic imagination, serving society and analyzing forms. As the architects themselves say: "We enjoy the process of 'discovering' new designs, where we find the true joy of creation. The versatility characterizing their work is due to their desire to meet all the client's and society's demands, producing works ranging from a large urban park to the headquarters of an international enterprise, from tower blocks to shopping and entertainment facilities.
How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century. Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but...
Leon Krier is one of the best-known—and most provocative—architects and urban theoreticians in the world. Until now, however, his ideas have circulated mostly among a professional audience of architects, city planners, and academics. In The Architecture of Community, Krier has reconsidered and expanded writing from his 1998 book Architecture: Choice or Fate. Here he refines and updates his thinking on the making of sustainable, humane, and attractive villages, towns, and cities. The book includes drawings, diagrams, and photographs of his built works, which have not been widely seen until now.
This project is born out of similar questions and discussions on the topic of organicism emergent from two critical strands regarding the discourse of organic self-generation: one dealing with the problem of stopping in the design processes in history, and the other with the organic legacy of style in the nineteenth century as a preeminent form of aesthetic ideology. The epistemologies of self-generation outlined by enlightenment and critical philosophy provided the model for the discursive formations of modern urban planning and architecture. The form of the organism was thought to calibrate modernism’s infinite extension. The architectural organicism of today does not take on the languag...
The work of Tokyo-based architect Takasaki Masaharu, one of the most exciting and original architects working today, has captivated those interested in individual and animated design. Although his work is not widely known outside his own country, for twenty years he has been creating unusual structures throughout Japan. He recently received an award from the Japan Institute of Architects as the most outstanding young architect in the country. Takasaki's designs combine the organic and the mythological. He describes his architecture as an "environmental being" that connects humanity with the cosmos. These philosophies manifest themselves in his use of egg-shaped forms, diffused light to create mystical interiors, and skewed columns and planes. The eight projects explored in this monograph include Crystal Light in Tokyo, Tamana City Observatory Museum in Kumamoto, Earth Architecture in Tokyo, and Kihoku-cho Astronomical Museum in Kagoshima. Each building is thoroughly described through text, photographs, and drawings. Also included is an illustrated list of the architect's projects and a critical text by Botond Bognar, author of "The Japan Guide".