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A constellation of essays that reanimates the work of this pivotal twentieth-century American poet for a new century. This volume is the first to reconsider Roethke’s work in terms of the expanded critical approaches to literature that have emerged since his death in 1963. Editor William Barillas and over forty contributors, including highly respected literary scholars, critics, and writers such as Peter Balakian, Camille Paglia, Jay Parini, and David Wojahn, collectively make a case for Roethke’s poetry as a complete, unified, and evolving body of work. The accessible essays employ a number of approaches, including formalism, ecocriticism, reader-response, and feminist critique to explicate the poetics, themes, and the biographical, historical, cultural, and literary contexts of Roethke’s work.
Editor's note: “Voices of Yellowstone’s Capstone: A Narrative Atlas of the Absaroka-Beartooth Wilderness” edited by Traute N. Parrie and Jesse A. Logan was the 2020 Big Sky Award winner for best book in any category by a Montana Author; a finalist the 2020 High Plains Book Awards nonfiction category; and a Independent Publishers 2020 Gold Medal winner for best regional (Rocky Mountain) non-fiction. "...whether you've been to the Absaroka-Beartooth Wilderness or not, whether you live nearby or not, this book conveys the spirit and allure of beloved high country anywhere on the planet." Todd Wilkinson, Mountain Journal Purchase from your local, independent bookseller, or at the Absaroka-Beartooth Wilderness Foundation Website: https://abwilderness.org/ All proceeds from sales go to support the work of the Absaroka-Beartooth Wilderness Foundation.
Contemporary Earth and animal activists rarely collaborate, perhaps because environmentalists focus on species and ecosystems, while animal advocates look to the individual, and neither seems to have much respect for the other. This diverse collection of essays highlights common ground between earth and animal advocates, most notably the protection of wildlife and personal dietary choice. If earth and animal advocates move beyond philosophical differences and resultant divergent priorities, turning attention to shared goals, both will be more effective – and both animals and the environment will benefit. Given the undeniable seriousness of the environmental problems that we face, including climate change and species extinction, it is essential that activists join forces. Drawing on a wide range of issues and disciplines, ranging from wildlife management, hunting, and the work of NGOs to ethics, ecofeminism, religion and animal welfare, this volume provides a stimulating collection of ideas and challenges for anyone else who cares about the environment or animals.
Why are some species admired or beloved while others are despised? An eagle or hawk circling overhead inspires awe while urban pigeons shuffling underfoot are kicked away in revulsion. Fly fishermen consider carp an unwelcome trash fish, even though the trout they hope to catch are often equally non-native. Wolves and coyotes are feared and hunted in numbers wildly disproportionate to the dangers they pose to humans and livestock. In Trash Animals, a diverse group of environmental writers explores the natural history of wildlife species deemed filthy, unwanted, invasive, or worthless, highlighting the vexed relationship humans have with such creatures. Each essay focuses on a so-called trash...
John Haines arrived in Alaska, fresh out of the Navy, in 1947, and established a homestead seventy miles southeast of Fairbanks. He stayed there nearly twenty-five years, learning to live off the country: hunting, trapping, fishing, gathering berries, and growing vegetables. Those years formed him as a writer—the interior of Alaska, and especially its boreal forest—marking his poetry and prose and helping him find his unique voice. Placing John Haines, the first book-length study of his work, tells the story of those years, but also of his later, itinerant life, as his success as a writer led him to hold fellowships and teach at universities across the country. James Perrin Warren draws ...
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"The compelling essays in Bernard Quetchenbach's Accidental Gravity move from upstate New York to the western United States, from urban and suburban places to wild lands. In the first section of the book, he focuses on suburban neighborhoods, where residents respond ambivalently to golf-course geese and other unruly natural presences; in the second section, he juxtaposes these humanized places with Yellowstone National Park. Quetchenbach writes about current environmental issues in the Greater Yellowstone area--wildfire, invasive species, ever-increasing numbers of tourists--in the context of climate change and other contemporary pressures. Accidental Gravity negotiates the difficult edge between a naive belief in an enduring, unassailable natural world and the equally naive belief that human life takes place in some unnatural, more mediated context. The title refers to the accidental but nonetheless meaningful nexus where the personal meets and combines with the universal--those serendipitous moments when the individual life connects to the larger rhythms of time and planet"--