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The Handbook of Critical Music Industry Studies provides students and researchers with the means to think about how the performance, recording, and publishing of music could be if we do things differently. People are hungry for a more equitable music performance and recording system. The industry exudes patriarchy, white supremacy, cultural imperialism, ableism, and worker exploitation. In the context of gendered (e.g., #MeToo and #TimesUp) and racialized (e.g., Black Lives Matter) inequity, rampant precarity and casualization, and modes of musical dissemination that are changing faster than policymakers and regulatory bodies can keep up with, the timing for assembling such an interdisciplin...
Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song.
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
Digital Feudalism explores this new moment in capitalism, and how reliant global economies have become on these processes of consumption, work, and debt.
The Routledge Companion to Screen Music and Sound provides a detailed and comprehensive overview of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film. The inclusive framework of "screen music and sound" allows readers to explore the intersections and connections between various types of media and music and sound, reflecting the current state of scholarship and the future of the field. A diverse range of international scholars have contributed an impressive set of forty-six chapters that move from foundational knowledge to cutting edge topics that highlight new key areas. The companion i...
The relationship between popular music and consumer brands has never been so cosy. Product placement abounds in music videos, popular music provides the soundtrack to countless commercials, social media platforms offer musicians tools for perpetual promotion, and corporate-sponsored competitions lure aspiring musicians to vie for exposure. Activities that once attracted charges of 'selling out' are now considered savvy, or even ordinary, strategies for artists to be heard and make a living. What forces have encouraged musicians to become willing partners of consumer brands? At what cost? And how do changes in popular music culture reflect broader trends of commercialization? Selling Out traces the evolution of 'selling out' debates in popular music culture and considers what might be lost when the boundary between culture and commerce is dismissed as a relic.
The most important document in the history of rock 'n' roll since the liner notes to Killroy Was Here.(This paperback includes a new P.S. section with author interviews, insights, features, suggested readings, and more.) Never Mind the Pollacks, the first novel from acclaimed humorist Neal Pollack, is an epic history of rock-and-roll told through the eyes of two rival rock critics. The novel spans the decades from the 1940s to the present day, and includes such real-life characters as Elvis Presley, Bob Dylan, Joan Baez, Lou Reed, Iggy Pop, Bruce Springsteen, Joey Ramone, Patti Smith, Kurt Cobain, and many more. Pollack deploys his trademark roasting of literary pomposity, but his narrative ...
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For Shari Diamond, a nice young Jewish girl from New York, all things British are her fetish. So when she meets a lovely British man while on a conference on dead languages, she has to decide if she is really in love with him or just satisfying a fetish.
James Green Griffin was born in 1823 in Hatherop, Gloucestershire, England. He married Jane Newman, daughter of William Newman and Jane in 1851 in Quenington, Gloucestershire, England. They had twelve children. Their son, Albert James Griffin (1870-1948), immigrated to Wisconsin. He married Anna Marie Pederson (1875-1967) in 1904 in Manitowoc County, Wisconsin.