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Handbook of the American Short Story
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
Consuming Silences
J. D. Salinger was an author in 1951 when he published The Catcher in the Rye. Is he one now? Was Henry Roth an author during the sixty years that separated Call It Sleep, his literary debut, from his second novel, Mercy of a Rude Stream? To show us how silence can be produced and consumed as a literary text, Myles Weber takes a provocative look at four revered authors who battled writer's block or simply ceased publishing. The careers of Tillie Olsen, Henry Roth, J. D. Salinger, and Ralph Ellison suggest that an unproductive twentieth-century author could command serious critical attention and remain a literary celebrity by offering the public volumes of silence, which became read and admir...
The American Dream and Dreams Deferred
The American Dream and Dreams Deferred: A Dialectical Fairy Tale shows how rival interpretations of the Dream reveal the dialectical tensions therein. Exploring often neglected voices, literatures, and histories, Carlton D. Floyd and Thomas Ehrlich Reifer highlight moments when the American Dream appears both simultaneously possible and out of reach. In so doing, the authors invite readers to make a new collective dream of a better future, on socially just, multicultural, and ecologically sustainable foundations.
American Literary Dimensions
This is the first of two volumes commemorating Friedman's life and work, and includes essays on American literature, poetry, and remembrances.
The Middle West
Shortridge (cultural geography, U. of Kansas) examines the idea of the Middle West, relating the changing meaning of the term, regional identity, thepastoralism of the area. Annotation copyright Book News, Inc. Portland, Or.
Issues & Studies
None
Twentieth-century Literary Criticism
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.
The Columbia Companion to the Twentieth-century American Short Story
The American short story has never been more popular - or more important - than it is today. With many lucid essays on major writers and themes by some of the best literary scholars in the United States, The Columbia Companion to the Twentieth-Century American Short Story offers readers a wealth of information and insight into the work of many of the finest short story writers in literary history. Part one of the book is comprised of articles on stories that share a particular theme, such as "The American Working-Class Short Story" or "Lesbian and Gay Short Stories". Part two contains pieces on individual writers and their work, including Ernest Hemingway, Raymond Carver and J.D. Salinger.
Publications of the Modern Language Association of America
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Richard Wright
African-American writer Richard Wright (1908-1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author's earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics.
