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The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This third book in a three-volume series offers detailed biographical data on all identifiable authors, patients, witnesses of therapies, transmitters of recipes, and further persons mentioned in the Ben cao gang mu and provides bibliographical data on all textual sources resorted to and quoted by Li Shizhen and his collaborators.
'Summoning is a dangerous thing. To the old Buddhists, words were the most dangerous weapon of all.' Shan Tao Yun is a former investigator for the chinese government who once got a little too close to the truth. Now he breaks rocks in a Tibetan prison camp high in the Himalayas. Only the remarkable courage of the Buddhist monks who are his fellow prisoners give him the will to survive. But when a smartly dressed headless corpse is discovered on the bleak moutainside, Shan is forced to become a detective once more. And as he uncovers a web of intrigue involving a beautiful American mining engineer, Tibetan sorcerers, corrupt Chinese officials and the Buddhist Resistance, he begins to realise that far more than his own survival is at stake.
Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.
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Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.