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Having recently endured the agony of the death of his friend Yvette in a hospital near Singapore, Carl Thomas gradually recovers his rationality. He makes his way back to Paris where he innocently becomes implicated in a young woman's musder. Authorities and fate conspire to avenge her death with the death of her murderer. Returning to the United States, Carl takes a teaching job and becomes married. A year later, Beebee, his wife, wins a unique lottery that provides them a year's command of an ocean liner to any ports on earth. They are to be it's sole passengers. His wife is too fearful of sea travel to make extended cruises, so he makes them alone. Such an unnatural connubial separation creates dramatic tension in their lives, but destiny and their stalwart characters see them to a felicitous conclusion and the birth of a daughter, Jillian Christine Thomas.
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
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A moving and revealing insight into the real experiences of children evacuated during WWII and the families they left behind On 1 September 1939 Operation Pied Piper began to place the children of Britain's industrial cities beyond the reach of the Luftwaffe. 1.5 million children, pregnant women and schoolteachers were evacuated in 3 days. A further 2 million children were evacuated privately; the largest mass evacuation of children in British history. Some children went abroad, others were sent to institutions, but the majority were billeted with foster families. Some were away for weeks or months, others for years. Homecoming was not always easy and a few described it as more difficult tha...
"A Wing and a prayer are all that you'll ever need"CJ O"Sullivan had always agreed with her father's favorite phase, until now. Until the devastating accident that trapped her for hours amid the wreckage of a plane.tht held the remains of her beloved parents.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major c...
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During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores t...
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