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Biography of a Book traces the life of an iconic Australian literary work in the lead-up to, and for a century after, its initial publication: Henry Lawson's 1896 collection While the Billy Boils. Paul Eggert follows Lawson's gradual development of a pared-back bush realism in the early 1890s, as he struggled to forge a career, writing short stories and sketches for the newspapers. Lawson's famous collection came out at a decisive moment for the development of a fully professional Australian literary publishing industry, then in its infancy in Sydney. The volume's editing, design and production were collaborative events that changed the feel and nature of Lawson's writing. He had to give ground on his texts and their sequencing. The collection went on to be reprinted and repackaged countless times. Its production and reception histories act like a geological cross-section, revealing the contours of successive cultural formations in Australia. In unravelling the life of Lawson's classic work Eggert's book-historical approach challenges and clarifies established understandings of crucial moments in Australian literary history and of Lawson himself
Peter Carey is one of Australia's finest creative writers, much admired by both literary critics and a worldwide reading public. While academia has been quick to see his fictions as exemplars of postcolonial and postmodern writing strategies, his general readership has been captivated by his deadpan sense of humour, his quirky characters, the outlandish settings and the grotesqueriesof his intricate plots. After three decades of prolific writing and multiple award-winning, Carey stands out in the world of Australian letters as designated heir to Patrick White. Fabulating Beauty pays tribute to Carey's literary achievement. It brings together the voices of many of the most renowned Carey critics in twenty essays (sixteen commissioned especially for this volume), an interview with the author, as well as the most extensive bibliography of Carey criticism to date. The studies represent a wide range of current perspectives on the writer's fictions.
Can a broken boy and an unconventional Daddy help each other heal? Saxton has never been able to make a Daddy stay. He wants one desperately, but they’ve all walked away. He knows exactly why: because he’s damaged. Broken. Unable to give Daddies what they want from him. When he meets Daddy Gale, who offers to take care of him after an accident, Saxton expects the same thing to happen. But Gale is different in many ways, and he has his own wounds. He has endless patience with Saxton, and he respects Saxton's boundaries. But when Saxton can’t open up about the trauma that forever changed him, will Gale decide Saxton isn’t worth the trouble after all? Or will Saxton finally have a Daddy who accepts him the way he is? Healing Hand is a sweet, low heat Daddy care MM romance with loads of hurt/comfort, age play, tender moments, and emotions that will give you all the feels.
Daddies come in all ages, shapes, and sizes…and so do boys Master Ford never wanted to be a Daddy, so how did he end up with not one but two abused boys in his care? It takes a long time to win their trust, as the abuse they suffered is worse than Ford could’ve imagined. But when he discovers that Thierry is a little and that Jathan needs a firm Daddy, Ford questions if he can be what both his boys need. And where do his own needs fit into this? *** Saxton has never been able to make a Daddy stay. He wants one desperately, but they’ve all walked away. He knows exactly why: because he’s damaged. Broken. Unable to give Daddies what they want from him. Until he meets Daddy Gale, who has...
In her study of music-making in the Edwardian novel, Cecilia Björkén-Nyberg argues that the invention and development of the player piano had a significant effect on the perception, performance and appreciation of music during the period. In contrast to existing devices for producing music mechanically such as the phonograph and gramophone, the player piano granted its operator freedom of individual expression by permitting the performer to modify the tempo. Because the traditional piano was the undisputed altar of domestic and highly gendered music-making, Björkén-Nyberg suggests, the potential for intervention by the mechanical piano's operator had a subversive effect on traditional no...
This book offers a comprehensive and original reading of Australian poetry, from the colonial period to the present, through the dual lenses of Romanticism and negativity. Paul Kane argues that the absence of Romanticism functions as a crucial presence in the poetry of all the major Australian poets. This absence or negativity is both thematic and structural, and Kane's scrupulous analyses uncover important relations between Romanticism and negativity. Chapters on nine individual poets explore and substantiate the theoretical claims informed by the work of contemporary critics of Romanticism and by various philosophers of negativity. These chapters can serve as a series of self-contained readings of Australian poets for the use of students, scholars, and informed general readers. Australian Poetry is unique in its sustained argument and theoretical sophistication.
First multi-year cumulation covers six years: 1965-70.