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Modernity at the Movies
Cinema can both reflect the world as it is and offer escape from it. In Modernity at the Movies, Camila Gatica Mizala explores the ideas of reflection versus escapism and examines how modes of understanding the current moment emerged through the practice of going to the movies in Santiago and Buenos Aires between 1915 and 1945. Using cinema and variety magazines published in both cities, she analyzes the technology, architecture, attendance, behavior, language, censorship, and overall experience of cinema-going. These publications regularly engaged with important topics such as morality and urbanization and helped build a cinematographic audience. Gatica Mizala brings together the perception and reception of cinema as a modern art form, shifting the focus from the production of films to the experience of the audience when viewing them. By focusing on the audience instead of the films, this study is able to articulate the ways that cinema, as a modern activity, was incorporated into everyday life and discuss what it meant to be modern in early to midcentury Latin America.
Culture as Soft Power
This book contributes to bridge the gap between different scholarly communities interested in the entanglements of culture and politics in the international arena. It sheds light on existing connections in their parallel evolution with a thorough literature review, complemented by several case studies showing the fruitful character of their interdisciplinary mobilisation. Through the notions of cultural relations, intellectual cooperation and cultural diplomacy, the book draws on a soft power perspective to offer a shared, novel, and interdisciplinary theoretical framework to approach cultural institutions and organisations that have been previously examined as isolated objects: for example, cultural institutes, international organisations, literary magazines, and literary contests. The interdisciplinary nature of this volume justifies the relevance of its content for scholars working in the history of international relations, international cultural relations and intellectual history, comparative literature, sociology of literature and global literary studies.
Propaganda, Gender, and Cultural Power
Propaganda, Gender, and Cultural Power tells the story of the gendered methods, policies, and institutions that contributed to the making of French cultural diplomacy in Britain, against the backdrop of war, changing Franco-British relations, European tensions and the global transformation of what 'foreign affairs' meant to states.
In the Darkness of the Cinema
Gender and sexual morality, and their intersections with race and class, were central to the formation of urban Brazil in the twentieth century. In the Darkness of the Cinema takes a wide-ranging and innovative approach to gender and moviegoing culture in Brazilian society. By focusing on the flirtations and romances of the movie theater, as well as the intrigue and moral panic that they caused, Suk creates a rich portrait of spectatorship. Where women went to the movies, who they met, and what they did in the darkness were key questions that brewed among overlapping but disparate circles, from film intellectuals and filmmakers to legislators and public health officials, as well as the moviegoers themselves. Amassing sources located traditionally within film culture as well as outside of it, such as film magazines, interviews, comics, literature, and songs, Suk shows that movie theaters and moviegoers made an indelible mark on the urban landscapes of Rio de Janeiro and São Paulo.
Republics of Knowledge
"Republics of Knowledge tells the story of how the circulation of knowledge shaped the formation of nation-states in Latin America, and particularly in Argentina, Peru and Chile, during the century after Iberian rule was defeated in the 1820s. Most immediately, the author has sought to provide a cross-disciplinary approach to the history of knowledge, combining the methods of global intellectual history with a new way of thinking about nations as experienced and enacted as well as how they are imagined, and in so doing offer a new interpretation of the history of independent Latin America to illustrate its wider significance in the making of the modern world. By bringing these lines of inqui...
Soft Power beyond the Nation
An innovative, interdisciplinary perspective on soft power in history, moving beyond the framework of the nation-state Starting in the nineteenth century, as world events became more interconnected than ever, and as public opinion began to weigh on democratic governments, nations employed new communication strategies and propaganda to gain global influence and prestige. Soft power strategies were used by different nation-states, and by supranational and nonstate actors, that wanted to gain influence on the international stage. Soft Power Beyond the Nation takes a distinct approach to the study of soft power in history, moving beyond the framework of the nation-state. The volume editors use "...
