Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Her Rugged Rancher
From a USA Today–bestselling author, a lone wolf rancher is pursued by a divorced lady lawyer looking for a second chance at love and marriage. Lawyer Bella Sundell knows what she wants—cowboy Noah Crawford. The hunky foreman on her brother's ranch, Noah has a way with horses and women . . . and Bella finds herself hankering for his touch. Despite her own past grief, she's ready to open her heart to the reclusive rancher. But can strong-minded Bella convince gun-shy Noah to give love a second chance? Once betrayed by a woman he trusted most, Noah is doing his best to resist love—even if Bella is the complete package. Yet the more he pushes her away, the more the place she holds in his heart deepens. Torn between his painful past and his bright, beautiful future, this lone ranger must make a decision to love again . . .
African American Arts
Trans Identity as Embodied Afrofuturism / Amber Johnson -- "I Luh God" : Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination / Sammantha McCalla -- The Conciliation Project as a Social Experiment : Behind the Mask of Uncle Tomism and the Performance of Blackness / Jasmine Coles & Tawnya Pettiford-Wates.
Feminist Rehearsals
"An exploration of gender at the theatre in early twentieth century Argentina and Mexico"--
Trans/acting
This collection offer a series of new essays authored by leading scholars of Latin American and U.S. Latino theater as well as the performance script Mexterminator vs. The Global Predator, written by Guillermo Gomez-Pena. The fourteen essays focus on contemporary Latin American and U.S. Latino plays and performances and challenge the meanings of genre, gender, race, cultural identity, and performance itself in the context of globalization and shifting borders. The concept of trans/acting, a term that connotes negotiation and/or exchange, provides the framework for essays that include such topics as tansculturation, transnationalism, transgender, transgenre, translation, and adaptation. These individual studies of contemporary theater and performance arts are complimented by trans/actor Gomez-Pena's Mexterminator vs. The Global Predator, a striking transgressive script that underscores the performance nature of territorial and symbolic border crossings. Jacqueline Bixler is Alumni Distinguished Professor of Spanish at Virginia Tech. Laurietz Seda is Associate Professor of Spanish at the University of Connecticut-Storrs.
Adapting Cecilia, Cuba's Iconic Mulatta
This project explores the expanding corpus of texts and artifacts inspired by Cirilo Villaverde's most well-known literary character, Cecilia Valdés. Drawing on adaptation studies and related transmedia approaches, the book examines how and why this iconographic complex, centered on the mytheme of a disaffected mulatta striving for a better life, has generated such a remarkably persistent proliferation of multi-media instantiations. Chapters address topics and themes central to the interests of Villaverde scholars as well as to Cubanists and Latin Americanists, more broadly, such as gender and sexual roles, race and hybridity, cultural and national identity, and, in general, colonial and post-colonial social contexts in Cuba.
Fifty Key Figures in LatinX and Latin American Theatre
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
