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Decolonial Voices brings together a body of theoretically rigorous interdisciplinary essays that articulate and expand the contours of Chicana and Chicano cultural studies.
TOM THORNE IS BACK WITH HIS MOST SHOCKING CASE YET... ____________ 'Billingham only gets better' MICHAEL CONNELLY 'Sensational, masterful, sharp and shocking' CHRIS WHITAKER 'The best Tom Thorne novel yet' MICK HERRON 'One of crime fiction's finest' KARIN SLAUGHTER 'Billingham is on top form' THE TIMES ____________ "Three dead coppers, Tom, maybe four by lunchtime." The targeted murder of four officers is only the first in a series of attacks that leaves police scared, angry and, most disturbingly of all, vengeful. As Tom Thorne and Nicola Tanner dig into the reasons for the violence, a deeper darkness begins to emerge: the possibility that these murders are payback. The price paid for an un...
The first anthology to focus exclusively on queer readings of Spanish, Latin American, and US Latina lesbian literature and culture, Tortilleras interrogates issues of gender, national identity, race, ethnicity, and class to show the impossibility of projecting a singular Hispanic or Latina Lesbian. Examining carefully the works of a range of lesbian writers and performance artists, including Carmelita Tropicana and Christina Peri Rossi, among others, the contributors create a picture of the complicated and multi-textured contributions of Latina and Hispanic lesbians to literature and culture. More than simply describing this sphere of creativity, the contributors also recover from history the long, veiled existence of this world, exposing its roots, its impact on lesbian culture, and, making the power of lesbian performance and literature visible.
Homecoming Queers provides a critical discussion of the multiple strategies used by queer Latina authors and artists in the United States to challenge silence and invisibility within mainstream media, literary canons, and theater spaces. Marivel T. Danielson's analysis reveals the extensive legacy of these cultural artists, including novelists, filmmakers, students and activists, comedians, performers, and playwrights. By clearly discussing the complexities and universalities of ethnic, racial, sexual, gender, and class intersections between queer Chicana and U.S. Latinas, Danielson explores the multiple ways identity shapes and shades creative expression. Weaknesses and gaps are revealed in the treatment of difference as a whole, within dominant and marginalized communities. Spanning multiple genres and forms, and including scholarly theory alongside performances, films, narratives, and testimonials, Homecoming Queers leads readers along a crucial path toward understanding and overcoming the silences that previously existed across these fields.
This collection, which grew out of a research conference held at Arizona State Universoty in November 1997, examines varieties of Chicano/Latino homoerotic identities. It includes essays by a group of scholars who are engaged in defining the parameters of these identities and who are concerned with how those identities interact with the dominate ones articulated by a hegemonic Anglo society in the United States.
BRINGING TOGETHER thirteen topics related to homosexuality and education, Understanding Homosexuality, Changing Schools provides a foundation in gay/lesbian studies and offers models for equity, inclusion, and school reform. It is designed to help educators, policymakers, and the public understand the significance of gay and lesbian issues in education; aid communication between gay/lesbian students and their families and schools; facilitate the integration of gay and lesbian families into the school community; and promote the inclusion of gay and lesbian curricula in a range of disciplines. It also seeks to promote the healthy development of all students through reducing bigotry, self-hatred, and violence. This volume makes the gay, lesbian, bisexual, and transgender experience part of a democratic multicultural vision.
Robert Hernandez traces the history and assesses the impact of VIVA! Lesbian and Gay Latino Artists, a nonprofit artists' coalition founded in 1987 in the Silverlake community of Los Angeles. Their aim was to increase the representation of lesbian Latina and gay Latino artists in the LA art scene. VIVA! sponsored exhibitions, theatrical performances, and educational outreach. It worked closely with other gay and lesbian organizations in Los Angeles, using arts-based projects to address cultural and sociopolitcal issues that were of concern to their community and the AIDS crisis in particuar. The first organization of its kind in Los Angeles, VIVA! offered a stage and a voice for artists who had been routinely marginalized. The VIVA! collection of papers is housed at the UCLA Chicano Studies Research Center. It includes administrative papers, photographs, artwork, VIVA! publications, and documents related to the organization's exhibitions, performances, educational projects, and other events.
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