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Theory, Method, Sustainability, and Conflict is the first of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. It offers an introduction to applied ethnomusicology, and explores the themes of peace and conflict studies, ecology, sustainability, and the theoretical and methodological considerations that accompany them.
Beijing has formed South-South relations with many developing countries and emerging economies by providing foreign aid, setting up trade agreements, making investments, and employing public diplomacy. China's economic rise and diplomatic initiatives to expand strategic partnerships with countries of the Global South are starting to impact the very structure of international relations. The contributions to this volume provide insights into the rapidly unfolding trans-regional dynamics of China's fast developing formal and informal ties to Africa, the Middle East, and Latin America. The book also reveals the inadequacies of the traditional architecture of area studies in taking up the challenge of trans-regional research. (Series: Chinese History and Society / Berliner China-Hefte - Vol. 42)
Applied studies scholarship has triggered a not-so-quiet revolution in the discipline of ethnomusicology. The current generation of applied ethnomusicologists has moved toward participatory action research, involving themselves in musical communities and working directly on their behalf. The essays in The Oxford Handbook of Applied Ethnomusicology, edited by Svanibor Pettan and Jeff Todd Titon, theorize applied ethnomusicology, offer histories, and detail practical examples with the goal of stimulating further development in the field. The essays in the book, all newly commissioned for the volume, reflect scholarship and data gleaned from eleven countries by over twenty contributors. Themes ...
Since the 1973 publication of Alain Peyrefitte’s prophetic When China Awakens, developments in East Asia have outstripped even the wildest predictions. China has undergone the fastest industrialization and urbanization process in history, yet tensions there are rising as some realize how far they have been left behind. This volume explores the applicability of European economic and social models to our analysis of East Asia’s and, in particular, China’s situation. Though millions of Chinese and other Asian people have been lifted out of poverty, inequality is rising nonetheless, and contemporary Europe and Asia are both witnessing collective action against rampant economic neoliberalis...
Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global cultural interactions. Challenging the view of Taiwan as a product of transience and displacement, it highlights Taiwan’s subjectivity, viewing the island as a site of a global development that epitomizes both resistance and negotiation in the process of cultural flows. The fourteen contributions by an international team of scholars investigate the multi-layered and multidirectional interplays between the island and the outside world, exploring the impact of complex cultural encounters on the construction, writing and rewriting of Taiwan in a global context. Taking an interdisciplinary appr...
Public discourse on cultural identity was not possible on the island of Taiwan until martial law was lifted there in 1987. While until then culture had mainly been an arena for the suppressed political discourse, the demise of the oneparty reign of the Guomindang (KMT) at the end of the 20th century signified not only the transformation from an autocratic to a democratic system but also the end of the cultural hegemony of the mainlanders on the island. The transformation process paved the way for further cultural innovation, the keywords here being education reform, language debate, establishment of new academic disciplines, historiographic reconstruction etc. It has also led to a widespread discussion of a specifically Taiwanese cultural identity which is reflected in literature, language, art, theatre and film. The international workshop "Transformation! - Innovation? Taiwan in her Cultural Dimensions", held at Ruhr University in Bochum from March 7th-9th 2001, set out to shed new light on these issues and generated an intensive discussion of potential new interdisciplinary approaches to cultural and literary research in the field of Taiwan studies.
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