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From the time of early settlement in Virginia, water-powered mills played a primary role in the state's economy. This work provides an overview of grain milling in Floyd County, Virginia, from 1770 to the present day. Topics covered include the difficulties involved in identifying early mills, the importance of mill site selection, water wheel types, laws regulating mills, the decline of milling and physical remains of abandoned mill sites. The main body of the book provides individual histories of 140 grist, flour, and feed mills, a few of which also processed wool. The histories are based primarily on oral histories, title deed records, and local newspapers. More than 100 photographs and maps supplement the text, and tables provide production figures for various mills from industrial censuses of 1850, 1870, and 1880.
Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focusses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history. Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is recognised. Beyond the Silver Screen shows women's sustained involvement with film is best understood as political and cultural action.
INTRIGUE. TENSION. LOVE AFFAIRS: In The Historical Romance series, a set of stand-alone novels, Vivian Stuart builds her compelling narratives around the dramatic lives of sea captains, nurses, surgeons, and members of the aristocracy. Stuart takes us back to the societies of the 20th century, drawing on her own experience of places across Australia, India, East Asia, and the Middle East. To sit at the Captain's Table on a big liner is an honour eagerly sought after, and often especially so, when the Captain is handsome, distinguished, and young for so important a command. But for Catherine Duncan the privilege was a source of alarm, for Robert Blair was the brother of her dead fiancé, and he believed her to be morally responsible for Hugh's death. How could she endure his thundercloud presence, day after day, on the long voyage to China?