You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The sheer diversity of the Asian American populace makes them an ambiguous racial category. Indeed, the 2010 U.S. Census lists twenty-four Asian-ethnic groups, lumping together under one heading people with dramatically different historical backgrounds and cultures. In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American. Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finit...
If it was an accident, she wouldn't pursue it, but the other party still claimed from her."You're a man, what are you asking for in innocent damages? "Is there a mistake?!""What?" No compensation. "Good, good, good.""Be your fiancee? No, I don't agree. Absolutely not! "So what if I signed the contract? I can still run away! Go and play by yourself! Hahahaha...Young Master Huo didn't want to continue, but his wife wanted to run away."Seal off the Madam's account. Go and check the address. I will personally bring her home."Young Master Huo wanted his little wife to run all over the country. A certain woman was sleeping like a fool.
As China's centrally planned economy and welfare state have given way to a more loosely controlled version of "late socialism," public concern about economic reform's downside has found expression in epic novels about official corruption and its effects. While the media shied away from dealing with these issues, novelists stepped in to fill the void. "Anti-corruption fiction" exploded onto the marketplace and into public consciousness, spawning popular films and television series until a clampdown after 2002 that ended China's first substantial realist fiction since the 1989 Beijing massacre. With frankness and imagination seldom allowed journalists, novelists have depicted the death of Chin...
A necessary reconceptualization of Latinx identity, literature, and politics In Latinx Revolutionary Horizons, Renee Hudson theorizes a liberatory latinidad that is not yet here and conceptualizes a hemispheric project in which contemporary Latinx authors return to earlier moments of revolution. Rather than viewing Latinx as solely a category of identification, she argues for an expansive, historicized sense of the term that illuminates its political potential. Claiming the “x” in Latinx as marking the suspension and tension between how Latin American descended people identify and the future politics the “x” points us toward, Hudson contends that latinidad can signal a politics groun...
Affect, Performativity, and Chinese Diasporas in the Caribbean: Hopeful Futures analyzes the emergence of Chinese diasporic literature and art in the Caribbean and its diasporas in the twenty-first century. This book considers the historical and critical discourse about the Chinese diasporas in the Caribbean and proposes a textual and visual archive selecting contemporary texts that signal a changing paradigm in postcolonial literature at the turn of the twenty-first century. Whereas, historically, Chinese minorities had been erased or presented as ultimate Others, contemporary texts mobilize Chinese characters and their stories strategically to propose alternative configurations of community and belonging grounded in affective structures and contest the coloniality of national imaginaries.
This book is the first comprehensive study of Anglophone literature depicting the British Imperial system of indentured labor in the Caribbean. Through an examination of intimate relationships within indenture narratives, this text traces the seductive hierarchies of empire – the oppressive ideologies of gender, ethnicity, and class that developed under imperialism and indenture and that continue to impact the Caribbean today. It demonstrates that British colonizers, Indian and Chinese laborers, and formerly enslaved Africans negotiated struggles for political and economic power through the performance of masculinity and the control of migrant women, and that even those authors who critique empire often reinforce patriarchy as they do so. Further, it identifies a common thread within the work of those authors who resist the hierarchies of empire: a poetics of kinship, or, a focus on the importance of building familial ties across generations and across classifications of people.