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Handbook of Constraint Programming
Constraint programming is a powerful paradigm for solving combinatorial search problems that draws on a wide range of techniques from artificial intelligence, computer science, databases, programming languages, and operations research. Constraint programming is currently applied with success to many domains, such as scheduling, planning, vehicle routing, configuration, networks, and bioinformatics.The aim of this handbook is to capture the full breadth and depth of the constraint programming field and to be encyclopedic in its scope and coverage. While there are several excellent books on constraint programming, such books necessarily focus on the main notions and techniques and cannot cover...
Alexander Kluge
"Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer." This work features scholarly essays, plus articles, stories, and interviews involving Kluge. -- from back cover.
Concepts, Techniques, and Models of Computer Programming
Teaching the science and the technology of programming as a unified discipline that shows the deep relationships between programming paradigms. This innovative text presents computer programming as a unified discipline in a way that is both practical and scientifically sound. The book focuses on techniques of lasting value and explains them precisely in terms of a simple abstract machine. The book presents all major programming paradigms in a uniform framework that shows their deep relationships and how and where to use them together. After an introduction to programming concepts, the book presents both well-known and lesser-known computation models ("programming paradigms"). Each model has ...
Music – Media – History
Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).
Logic Programming
Includes tutorials, lectures, and refereed papers on all aspects of logic programming, including theoretical foundations, constraints, concurrency and parallelism, deductive databases, language design and implementation, nonmonotonic reasoning, and logic programming and the Internet. The International Conference on Logic Programming, sponsored by the Association for Logic Programming, includes tutorials, lectures, and refereed papers on all aspects of logic programming, including theoretical foundations, constraints, concurrency and parallelism, deductive databases, language design and implementation, nonmonotonic reasoning, and logic programming and the Internet.
Multiparadigm Programming in Mozart/Oz
This book constitutes the thoroughly refereed extended postproceedings of the Second International Mozart/OZ Conference, MOZ 2004, held in Charleroi, Belgium in October 2004. Besides the 23 papers taken from the workshop, 2 invited papers were especially written for presentation in this book. The papers are organized in topical sections on language-based computer security, computer science education, software engineering, human-computer interfaces and the Web, distributed programming, grammars and natural language, constraint programming, and constraint applications.
Visualizing War
Wars have always been connected to images. From the representation of war on maps, panoramas, and paintings to the modern visual media of photography, film, and digital screens, images have played a central role in representing combat, military strategy, soldiers, and victims. Such images evoke a whole range of often unexpected emotions from ironic distance to boredom and disappointment. Why is that? This book examines the emotional language of war images, how they entwine with various visual technologies, and how they can build emotional communities. The book engages in a cross-disciplinary dialogue between visual studies, literary studies, and media studies by discussing the links between images, emotions, technology, and community. From these different perspectives, the book provides a comprehensive overview of the nature and workings of war images from 1800 until today, and it offers a frame for thinking about the meaning of the images in contemporary wars.
