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A Cultural History of Objects in the Medieval Age
A Cultural History of Objects in the Medieval Age covers the period 500 to 1400, examining the creation, use and understanding of human-made objects and their consequences and impacts. The power and agency of objects significantly evolved over this time. Exploring objects and artefacts within art, technology, and everyday life, the volume challenges our understanding of both life worlds and object worlds in medieval society. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. Julie Lund is Associate Professor at the University of Oslo, Norway. Sarah Semple is Professor at Durham University, UK. Volume 2 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte
Billy Moon
In Douglas Lain's debut novel set during the turbulent year of 1968, Christopher Robin Milne, the inspiration for his father's fictional creation, struggles to emerge from a manufactured life, in a story of hope and transcendence. Billy Moon was Christopher Robin Milne, the son of A. A. Milne, the world-famous author of Winnie the Pooh and other beloved children's classics. Billy's life was no fairy-tale, though. Being the son of a famous author meant being ignored and even mistreated by famous parents; he had to make his own way in the world, define himself, and reconcile his self-image with the image of him known to millions of children. A veteran of World War II, a husband and father, he ...
International Public Goods
Increasingly, the consequences of globalization call for the involvement not only of national governments but of the international development community as a whole. Such involvement needs to occur within a comprehensive framework that encompasses stakeholders from government, non-governmental organizations, and businesses acting together in partnership. This requires the leveraging of general aid and country-focused development resources along with encouraging private financing participation. 'International Public Goods' explains different ways that this type of framework might be structured and focuses on different financing strategies that can be developed. It acknowledges the value of country specific efforts while recommending a multi-national approach to addressing problems resulting from globalization. This book evaluates the concepts fundamental to the term ?public goods? and details alternative governance structures including the role of incentives.
The reliquary
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The Shapwick Project, Somerset
Accompanying CD-ROM contains ... "appendices."--CD-ROM label.
